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Ester Dean Claims Her Role in Keri Hilson’s Notorious Beyoncé Diss Track

HonkMagazine

Ester Dean has publicly accepted ownership of the Beyoncé diss at the center of the remix of Keri Hilson’s 2009 Janet Jackson-redux smash, “Turnin Me On.” Dean dropped the low-key bombshell on Wednesday in a bold but brief comment on her Instagram account, answering a fan who offered speculation about her involvement in writing the song. “Co-wrote but yes,” Dean replied with a new twist on a story that’s been a subject of contention for more than a decade. Dean’s confession comes on the heels of Keri Hilson’s revealing new interview on The Breakfast Club, in which the singer discussed the behind the scenes pressure that led to her infamous lyrical jab.

Hilson did not name names but clarified that the diss was not fully her idea. Instead, she said she was offered the lyrics by Polow da Don and “another writer in our camp” a detail that now seems to point squarely at Ester Dean. “I’m not saying that,” Hilson said she thought upon hearing those words for the first time. Her competitive spirit was not one of vengeance, and it frankly put her in a bind when she was told that her debut album would likely never be released if she didn’t record the remix. “I was super young. I didn’t have a choice,” Hilson said. “I’ve been eating for years.” Dean’s confirmation adds prestige to the ongoing discussion around artist autonomy versus industry pressure, particularly for young female artists finding their way through major label deals.

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It also reignites the conversation around ghostwriting, credit, and how some of the industry’s biggest lyrical moments come from voices behind the curtain. While Hilson bears the brunt of that decision a decade-plus later, Dean’s comment indicates a collective culpability with the infamous track that fueled rumors, fan wars, and ongoing debate in the pop-R&B realm. In an industry where silence is often the order of the day, Dean’s line may be short, but its impact is long overdue. Sometimes, it’s just one comment that fills in the final piece of the story, and this particular one has taken more than 15 years to come out.

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Artist Spotlight

Cash Every Denomination unveils latest EP release “Hustlers Haven 2.0 – Legacy Edition [Ace The Beat God remix]”

Cash Every Denomination is back with “Hustlers Haven 2.0 – Legacy Edition.” The Beat God remix is a four-track project on survival, family, struggle, and ambition. A sound influenced by hip-hop, R&B, rap, pop, and dance. The remix edition was done in Gat 3 Studios with Ace. The remixing and engineering were done by The Beat God, and the project was mixed and mastered by Ken Lewis. The result is a record grounded in a certain sense of the present-day reality and the pressures of trying to move forward.

The opening track “Real Talk” bluntly tackles the emotional approach to hardship, focusing on struggles like mothers having the hard time of feeding their children. The song is about survival, not as an abstract idea but as something that is connected to banal situations and tough decisions. “Ingredients Of Life” moves into resilience, bass line, subtle shakers, and beat. It provides the rhythmic base of the track. In the vocals, the message is one of holding on and staying strong, with the basic ingredients of life being repeatedly stressed.

The EP’s lead single, “My Family,” touches on themes of hustling, loyalty, bloodline, and a complicated relationship with law enforcement, while “I Get It In” closes out the project with a determined attitude of “perseverance in the face of not yet being rich.” Across the four tracks, Every Denomination and Ace The Beat God deliver a unified movement of struggle and determination.

What’s interesting to me about Hustlers Haven 2.0 – Legacy Edition is that it is not simply about celebrating success but looking at the mindset of survival. The project makes listeners ask themselves who wins, who loses, and what people will do when the priority is to get ahead.

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Artist Spotlight

Kaciny looks back at love, memory and loss with latest release “Rewind”

Kaciny

Kaciny’s latest release, “Rewind” is a deeply personal song about heartbreak, memory, and the desire to change what has already happened, laying bare the raw shock of a relationship ending. Whereas the end of a relationship is often something distant or easily explained, this track comes from a difficult place where memories are fresh, and the past can feel impossible to leave alone.

There’s something instantly relatable about the concept behind “Rewind.” When a relationship ends, the mind replays conversations, moments, and choices, imagining how things might have turned out differently. Kaciny takes that emotional instinct and makes it the center of the song, giving the track a personal quality that comes from facing the aftermath of love instead of acting as if it can just be forgotten.

“Rewind” feels grounded in the uncomfortable space between acceptance and a desire for another chance. Heartbreak is its subject, but the real power of this book comes from the memories that surround it and the human desire to rewrite an ending that hurts. Kaciny takes the final chapter of a relationship and turns it into a reflection of what we hold on to when someone is gone, writing a song that speaks to anyone who’s ever, even in a moment, wanted a rewind button in life.

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