Music
Exclusive Interview – Justin S. Grant

The artist behind several hit tracks, such as “Don’t Go!” and “@addicted 2 Mi Phone,” Justin S. Grant has a new hit single titled “Fuego N’ Ice.” The single has garnered much-deserved acclaim and was also released with a compelling music video.
We caught the rare opportunity to chat with the talented artist about his past projects and upcoming hits.
You have recently dropped the track “Fuego N’ Ice.” Can you tell us the inspiration behind it?
Yes! I was inspired to pen a fun fusion song for the dance floor! I hope people will enjoy dancing to the beats, especially as the world opens up again this sweltering summer. With the endless lockdowns n’ painful losses, haven’t we all felt like a tiger in a tiny cage for far too long now? I’m praying we can let loose again soon, and that this jam is part of the party!
The inspo for this song is the Ying/Yang nature within a dynamic woman; not meaning good or bad here, but rather she’s sometimes hot, sometimes cold – all natural, normal, necessary. Also, I’ve lived in So. California my entire life, where our culture is permeated with many influences, including Spanish-Mexican-Latin spices, which were blended into this dance tune.
What is your constant drive to create these tracks?
Well, we would have to ask God about that one! But I can say that life, breath, and inspiration all intertwine to drive the artist to create. An Invisible Hand has impelled me for decades, as a hobbyist, to pursue singing, writing, and music production. Now that I’m older I’m wising up to how brief all of our lives are, as I’ve been experiencing an increased urgency to create and to share in the mainstream world.
Can you drop a few names that have inspired you to become the artist you are today?
Starting with some Americana classics, Bob Dylan, Bob Marley, and Guns N’ Roses have streamed into my little ears more than any! So certainly, these are great heroes to me, even if what I create sounds radically different. Marley’s music always draws the Spirit, nobody else sings like Axl, and many think Dylan released the first rap music video back in the 1960’s – amazing all!
More recent influences include OneRepublic, Maroon 5, and Post Malone. I love the fusional nature of great modern music and consider myself a genre-less artist.
Has your taste in music and production has shifted in the past few years? Why?
It’s always evolving, of course, and I love using the latest tech to produce musical freshness, but I don’t really chase fads. I think if the art is great, and the marketing too (!), then the people will come. I mean, if Shakespeare were alive today, hordes of us would be all into watching his incredible plays! And the runaway success of the musical Hamilton is contemporary proof of this theory. Well-rounded success is not about fads, it’s about manifesting greatness in any form. I keep my ears open to the best of old and new, while striving to produce timeless sounds.
Should we expect any upcoming releases from you soon?
Yes, always working on a new song and envisioning another music video. My next single is a date night song titled Naked Night. Short n’ sweet n’ sexy. I think people will be touched by it when in the mood for a romantic ballad.
We know that you are also an author, can you tell us a bit about your latest book?
I recently released Spirituality for Busy People, which shines mental light upon how our daily busyness can be effectively fused with our eternal livingness, to the benefit of individuals, groups to which we belong, and even to Planetary Life as a whole. As always, times today are hard, and I believe that when busy people are overlighted by spiritual purpose, they naturally manifest the heroism needed to uplift our imperiled world.
I’ve also recorded some spiritual-but-not-necessarily-religious music to accompany the book. Easy to sing-along, call-and-response affirmations, in plain English. Finally, I’m hard at work transforming the book into an online course, to bring the teachings to life in an entirely new way. Anyone interested can learn more on my website: www.JustinSGrant.com
What drove you to become an author and a musician?
Once again, I would have to vaguely answer “because God”. According to my soul colors and spiritual rays, singing and writing have been in my veins for lifetimes, but why this is so, began eons ago, and so I don’t fully know. We do generally know that what we are good at and what we love to do, are really two sides of the same coin. But the original impulse for this will always be ancient and unknown.
When you are not producing hits or writing, what do you do with your time?
What do you mean? All I do is work! ha ha ha! laughing but crying… Well actually I do believe in a balanced life even though I mentioned I’m now feeling more creative urgency than ever before. So I exercise and meditate every day, read tons and watch all sorts of documentaries, and also watch tv and movies, naturally, naturally. Sometimes dramas, but usually comedy is my fav. And of course, I listen to a lot of music, really a lot!
Please follow along on my socials and website for my latest-and-hopefully-greatests! Thanks for reading people!
Album Review
Jangus Kangus shatters melodic boundaries with her debut album “Fortune Cookie”

Jangus Kangus, the intriguing musical force helmed by Jasmine Sankaran, has just cracked open her most audacious project to date, “Fortune Cookie,” an album that intricately weaves genre fluidity and emotional resonances. This collection of eight tracks serves as both a sonic manifesto and a significant milestone in contemporary indie-pop, characterized by unvarnished lyricism and engaging, jangly hooks.
The album commences with “You Only Love Me When,” a seemingly serene acoustic-pop track that establishes the thematic groundwork for a narrative exploration of desires, internal conflicts, and acts of defiance. It poignantly laments love that manifests only through revealed strength, portraying love as a timeless entity, even when entangled with the vices of broken individuals intoxicated by addictive substances. After this introduction, Kangus transitions into the introspective “Double Lives,” a shimmering soul-infused piece that methodically dissects the paradoxes inherent in love and the subdued anguish that frequently accompanies the double lives.
Progressing to “No Future In This,” the album’s melancholic yet assertive dive into romantic realism presents bold lyrical insights. This sentiment escalates into the heartbreak elegy “Our Love Is Dead,” here, rhythmic piano chords evoke a mournful grace that encapsulates the heaviness of lost love, distrust, and betrayal. The track underscores the necessity of relinquishing specific attachments to pivot away from unsafe circumstances, echoing the fortune teller’s chilling proclamation: our love is, indeed, dead. Then comes the wild card “Janakita Kirakita,” an intoxicating burst of sonic dynamism and gleeful experimental composition that injects curiosity and electric charm into the auditory tapestry, boldly challenging convention with every note.
Listeners will find “Goldilocks” particularly captivating; this genre-defying number draws from stylistic influences reminiscent of St. Vincent and The Smiths, skillfully merging nostalgia with contemporary innovation. It conveys an urgent yearning to reclaim lost love during periods of solitude. The penultimate track, “Honeymooners in Venice,” narrates a cinematic experience rich in post-modern nuances. Finally, the concluding piece, “High Rise,” offers a deep plunge into Sankaran’s introspections, leaving a reverberating and haunting impact.
Meticulously crafted with the dexterity of a seasoned lyricist and the fervor of a punk priestess, “Fortune Cookie” commands attention as a contemporary coming-of-age narrative rich with lo-fi grit and artistic ambition, all presented through a unique lens.
Featuring an outstanding lineup that highlights the intricate interplay of Steph Anderson on keys and backing vocals, Antonio White on lead guitar, Dan Perdomo on drums, and Ryan Kellis on bass, Jangus Kangus delivers a performance that harmonizes technical proficiency with emotional transcendence. The music constitutes a distinctive addition to diverse playlists, serving as an ideal backdrop for a heartbreak soundtrack or late-night contemplation, thereby ensuring its relevance and recurrence among discerning audiences.
CLICK HERE TO STREAM Jangus Kangus’s Album “Fortune Cookie“ on Spotify.
CONNECT WITH Jangus Kangus | Instagram | Facebook |
Artist Spotlight
Kayla Marque lights a fire with “Slow Burn”

Kayla Marque has returned with a new single, “Slow Burn,” a simmering, soul-passionate affair that holds you well past when the last notes die out. True to her endlessly evolving artistry, Marque serves up something future-facing and thoughtful, stitching together a grunge-adjacent bassline with ethereal melodies and haunting vocal dynamics.
Right from the outset, “Slow Burn” sucks you into its smoky milieu. The measured bassline sounds plucked from the ‘90s alt-rock golden age and dunked in modern, velvety skin. But Marque’s voice brings center stage, fluent, forceful, and emotionally detailed. She doesn’t only sing; she tells stories, whispers, and wails, and her approach lends the music an astonishing contrast between restraint and release.
As the song progresses, there’s something undeniably mesmerizing about how the instrumentation interacts with the vocals. The melodies shimmer like heat off the pavement, entrapping listeners in a hypnotic haze that feels at once intimate and cinematic. Marque displays not only her vocal range but also her emotional depth. Every note feels deliberate, and every word feels lived-in.
What’s so exciting about “Slow Burn” is how it feels like another chapter in a broader story. Kayla Marque has consistently refused to settle into a single groove, and this track demonstrates that she’s continuing to push limits and defy expectations. There’s a rawness here, an audacity that doesn’t plead for attention but commands it regardless. It’s a song that reveals more textures and emotions after every listen. “Slow Burn” is a vibe, a feeling, a statement. It’s another step in Kayla Marque’s evolution as an artist, and if this is what’s to come, we’re in for something special.
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