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Expressing Yourself and Pursuing Mental Peace in Floated’s New Video “Wild”

Opening with a hauntingly beautiful piano melody, the “Wild” music video visualizes a night in the life of Maine. “Floating around different moments of NYC in the twilight hours, experiencing life as it comes…” recounts Maine. “Wild” is about expressing yourself freely and openly. It is about pursuing mental peace, even if at the expense of others.”

Directed by Adam Kolodny (know for his work as the Director of Photography on all of the Japanese Breakfast Music Videos), the “Wild” music video perfectly encapsulates that feeling of losing yourself into the night as a cathartic practice. Against the visual backdrop of neon-lit empty club scenes, Maine’s musical and lyrical prowess is on full display showcasing lush arrangements that uniquely combine piano melodies with dancy electronic elements. “This song is about times when you’re feeling crazy, and you’re acting crazy…but when maybe that’s ok,” says Maine. “I think I reached a point in my life where I’m more accepting of who I am.  If I’m going through something difficult I’m not going to hide it.  If I’m enjoying something I’m not going to hide it.  If people think I’m weird that’s cool.”

Floated is the Brooklyn, NY-based project of producer/songwriter David Maine, a 30-year-old lifelong musician. A classically trained pianist and multi-instrumentalist, Maine was previously the bass player for the “Indie Darlings” band Frankie Cosmos where he toured and recorded with the band for four years, often alongside his brother Aaron Maine (of Porches). Under the moniker ‘Floated’ Maine creates a sonic world full of ethereal synths over-driven drums where he shares highly personal lyrics. Floated has become an outlet for Maine to cultivate an imaginative and focused sonic world, capturing snapshots of his life in music and coloring them with inspirations spanning from vaporwave and escape room to grimy upbeat electronic RnB. His single “Daylight” was recently featured in Apple Music’s INDIY playlist, as well as in Acid Stag’s “New Comers” mixtape, and advances a self-titled EP that was written, produced, and recorded by Maine in New York.

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Natalie is a journalism major with a focus on Entertainment and Music who aspires to become a Content Creator For Honk Magazine. Eventually, she wants to be the Publisher or Editor-in-Chief of a major Publishing House. She loves helping people find their voice and passion for writing and journalism, and she can always be found with coffee in hand, editing another article.

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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