Connect with us

Music

Fans Are Mad About Egregious 2021 Grammy Snubs For Harry Styles, Fiona Apple, And Women In Rap

Getty Image As is tradition, there are complaints about the list of Grammy nominations and some are justified. …

The full list of nominees for the 2021 Grammys was announced starting at noon ET this morning, which means the inevitable criticisms of the list began at approximately 12:01 p.m. ET this morning. One important piece of information to remember during these trying times, though, is the eligibility window: Only works released between September 1, 2019 and August 31, 2020 are eligible to be nominated at the 63rd Annual Grammy Awards. Even with that in mind, however, there were some head-scratching omissions this year.

The most immediately obvious and profoundly confusing is The Weeknd not earning a single nomination for After Hours, “Blinding Lights,” and other related works. Both the album and single topped the charts (“Blinding Lights” actually just set a longevity record) and were critically beloved. It’s possible The Weeknd didn’t submit any of his work for consideration this year, but if he did, the confusion of fans on Twitter is justified.

Similarly, some people are wondering why Harry Styles’ Fine Line and Fiona Apple’s Fetch The Bolt Cutters, two of the year’s most acclaimed releases, didn’t earn Album Of The Year nods.

Meanwhile, hip-hop heads wondered why women didn’t have a significant presence in the rap categories: Of the 20 works nominated for Best Rap Performance, Best Melodic Rap Performance, Best Rap Album, and Best Rap Song, only two were by women, and they were both the Beyonce remix of Megan Thee Stallion’s “Savage.” On the bright side, though, women dominated the Best Rock Performance category.

Check out some tweets about other snubs below and find the full list of 2021 Grammy nominations here.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Advertisement
Advertisement

Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

Advertisement

Connect with Lisa Boostani on Instagram | Facebook |

Continue Reading

Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

Advertisement

Connect with NOAH. on Instagram

Continue Reading

Video Of The Week

Trending