Music
Fans Think A Conway The Machine Tweet Means A Break With Shady Records Is Coming
Getty Image Griselda fans have proven to be some of the most loyal and enthusiastic, even if it sometimes gets the best of them. …


Fans have always been protective of their favorite entertainers but thanks to social media, that tendency has been turned way up. Now, stans view their every chart disappointment as a conspiracy against their beloved artists and perceive slights in every digital promo campaign slip-up. Case in point, the fans of the Griselda Records collective are as enthusiastic as any but they’ve recently taken to expressing displeasure at the indie’s affiliation with the larger Shady Records, feeling like Shady has suppressed the deserved success of the Buffalo boys’ venture.
Now, a cryptic tweet from core member Conway the Machine has those fans speculating on a possible split after the fans apparently decided that Griselda has become disgruntled with the distribution deal they signed with Shady in 2017. “I’m not f*ckin wit none of them n****s no more,” Conway wrote, leaving off any defining characteristics for just whom he might be cutting off. However, that hasn’t stopped fans from chiming in with their assumptions regarding Shady Records.
I’m not fuckin wit none of them niggas no more
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— CONWAY (@WHOISCONWAY) November 11, 2020
People are gonna say he’s talking about Shady, hope not but if so what’re you gonna do
— Colin Hallock (@NerotheHuman) November 11, 2020
Better be talking about Shady Records Machine
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— Jacko (@brandannz) November 11, 2020
Shady records?
— zay (@zaysantana19) November 11, 2020
Industry rule #4080
"Record company people are shady" https://t.co/8UjufDAgEz— World Champ (@selema_writes) November 11, 2020
@ShadyRecords wtf is you guys doing…. why sign them if u ain’t going do nothing but ride they
https://t.co/XNbpd8PLvX
— Reb Wu (@RebelWu) November 11, 2020
For what it’s worth, the Shady deal hasn’t stopped Griselda from continuing to be one of the more productive indie labels out in 2020, releasing no less than six projects over the course of the year, including multiple Westside Gunn albums, Benny The Butcher’s album, Armani Caesar’s album, and yes, a pair of Conway The Machine projects, all of which have been well-received by critics and fans. Many of the projects were distributed by EMPIRE, meaning no Shady funds were put into the creation, marketing, or promotion of those projects and Griselda seems to retain much of their creative control on their Shady releases.
Of course, none of those facts will ever stop fans from clamoring for ever more material from their favorite artists and believing that those artists should only ever go No. 1 on all the charts (these fans especially, because they seem to share a consensus opinion that everything else sucks). Unfortunately, there’s only room for one act at the top and it’ll always be the more popular ones, rather than just the ones with the most vehement supporters. However, that doesn’t mean they aren’t successful; if anything, this shows fans need to find new ways to define success.
Album Review
Eric Schroeder drops a riveting dare into his emotionally charged new album “Cat’s Game”

Eric Schroeder, a distinguished innovator within the indie rock-pop sphere, born and raised in San Diego, has unveiled his ambitious latest album, “Cat’s Game,” a masterful project that deftly explores intricate emotional landscapes. Comprising ten meticulously woven tracks, traverse through landscapes of confessional intimacy, introspection, and sonic defiance that revitalizes classic rock ‘n’ roll aesthetics. Recorded at Mant Sounds under the expert production of Rob Schnapf and engineered by Matt Scheussler, this striking new album premieres today and signifies a potential shift in the contemporary rock narrative.
As a pivotal player within San Diego’s eclectic music scene, Eric Schroeder adeptly navigates the dynamics of chaos and clarity, and “Cat’s Game” showcases his most sophisticated orchestration to date. Collaborating with a tight-knit ensemble featuring Matt Scheussler (bass), Jake Richter (drums), and Aidan Finn (keys), Schroeder breathes life into every lyric, wrapping each composition in swirling authenticity and unfiltered emotional gravity.
Commencing with the soaring rock gem “High And Low,” listeners are immediately plunged into the heart of Eric’s introspective lyricism, capturing a spectrum of euphoria tinged with unintentionality, where moments of sorrow transmute into uplifting sentiments. The follow-up single “Emily” floats a unique form of bittersweet poetry, allowing audiences to resonate with a profound longing through emotive acoustics and nostalgic melodies. Furthermore, the slow-burning “Don’t Wanna Let You Go” effectively merges vulnerability with assertive musical grit in one unforgettable, gut-punching anthem.
Tracks like “As I Sit Here In My Car” and “I’ve Got Problems” demonstrate Schroeder’s exceptional proficiency in turning everyday occurrences into deeply relatable stories, marrying lyrical poetry with infectious grooves and cinematic soundscapes. Meanwhile, “Leave Me Sleeping” arises as a notable highlight, functioning as a haunting lullaby drenched in longing and lucid dreamlike clarity, further underscoring his capacity to encapsulate solitude in a captivating sonic framework.
Mid-album highlights, such as “My Big Brother,” “Slipstream,” and “Summer In The Psych Ward,” explores the chaotic interior of memory and identity, enhancing the psychological dimensions of Schroeder’s artistry. Finally, the closing track, “The Road To Recovery,” presents an achingly beautiful exhale, a tender, tremulous resolution to a defiant, emotionally rich album.
“Cat’s Game” is a crucial addition to any rock enthusiast playlist, reminding us of the enduring significance of music in contemporary culture. The album is an immersive manifesto of emotional honesty, dynamic storytelling, and fearless creativity. Eric Schroeder doesn’t just participate in this artistic endeavor; he is rewriting the rules with his enchanting vocal delivery. His rare gift for transmuting vulnerability into visceral musical encounters cements his reputation as a mesmerizing songwriter, a burgeoning force in today’s evolving music landscape, poised to make a significant impact.
For more information about Eric Schroeder, please visit [website].
CLICK HERE TO STREAM Eric Schroeder’s Album “Cat’s Game“ on Spotify.
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Music
BLACKPINK’s Lisa Signs Major Solo Deal with Universal

Lalisa Manobal, better known as Lisa of BLACKPINK, is making waves in her career by signing a solo deal with RCA Records, a well-known label under Sony Music Entertainment. This is a significant step for her, highlighting her independence as an artist and showing a trend in the K-pop industry where artists seek more creative control and a wider international audience. Lisa is the first member of BLACKPINK to partner with a different label for her solo projects, setting her apart from her bandmates.
This new agreement is about Lisa taking charge of her music. One of the standout features of this deal is that she will own the rights to her recordings, a rare opportunity in the music industry, especially in K-pop, where artists often have strict contracts. With her own company, LLOUD, Lisa will manage her solo music, giving her artistic freedom and financial control.
By collaborating with RCA Records, Lisa gains access to a large global network that includes production resources and marketing support. This is about changing how K-pop artists can reach audiences worldwide. Lisa aims to succeed not just in South Korea but also in places like North America and Europe.
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From a branding perspective, this decision also makes sense. Lisa has built a reputation as a fashion icon and talented performer, attracting millions of fans through her performances and style collaborations. Now, with LLOUD and RCA, she can create music and an image that resonates with international listeners while staying connected to her roots. This flexibility is important in today’s fast-paced entertainment landscape, where artists are cultural influencers.
Lisa’s solo deal has sparked discussions about the future of BLACKPINK as a group and the individual paths its members might take. While they are still managed by YG Entertainment, Lisa’s step into a solo career opens the door for her bandmates to explore their own opportunities without completely stepping away from the group. This creates a new model where artists can balance group activities with solo projects.
From an industry standpoint, Lisa’s contract reflects a shift in power distribution between record labels and artists. As digital platforms allow musicians to build their own fan bases, traditional record labels need to provide better, more flexible contracts to keep top talent like Lisa. Her decision to maintain ownership of her music is a powerful statement about valuing creativity and the long-term benefits of protecting her work.
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Fans are eagerly awaiting what Lisa will do next. Her solo music so far has shown her range, blending hip-hop, pop, and R&B. With full creative control, listeners can expect music that truly represents her style and growth as an artist. The excitement for her upcoming projects is palpable, not only because of her popularity but because she now has the resources to create something special.
Lisa’s signing with RCA Records is a key moment in the evolution of pop culture. It symbolizes the emergence of a new type of K-pop artist who is not just a performer but also a savvy businesswoman and a global brand. As she steps into this new phase with LLOUD and RCA, everyone is curious to see how she will push the boundaries of music and identity. Lisa is no longer just a member of a famous girl group, she is a powerful solo artist in her own right.
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