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Artist Spotlight

Feyisayo Anjorin unveils the facade of deception and pretenders in the single “There’s Somebody Here”

Feyisayo Anjorin

There’s Somebody Here” by Feyisayo Anjorin exemplifies a sophisticated synthesis of Afrobeat and soul-searching lyricism, shining a glaring light on human deception. Inspired by the timeless truth embedded in Lauryn Hill’s iconic “Forgive Them Father” and rooted in the haunting narrative of betrayal and pretense, spotlighting the archetype of Judas, the track mirrors the hypocrisy prevalent within the societal fabric of Nigeria, a milieu he intimately understands, where the outward piety frequently obscures deep-seated dishonesty.

Musically, the song immediately wraps you in a rhythmic pulse reminiscent of legends like Orlando Owoh’s traditionalism, King Sunny Ade, and Majek Fashek while integrating the soulful melancholia characteristic of reggae. This production is enriched with vibrant guitar loops and subtle, hypnotic percussion. Anjorin’s vocal performance is compelling and exudes a sincerity yet magnetic allure, balancing a reflective calm with an undertone of urgency as he positions himself as both a narrative conveyer and a whistleblower.

Lyrically, it’s a masterclass in allegory. The impactful line, “In every gathering, there is always that person who isn’t there for the common good,” resonates with piercing clarity, forcing listeners to reflect on their circles and the masks we wear. Anjorin’s insights transcend superficial critique, echoing the unvarnished truths rather than mere accusations akin to the moral wisdom traditionally imparted by an elder around a communal fire. The Judas metaphor evolves beyond its biblical connotations to foster a broader dialogue regarding distrust and the resilience inherent in navigating such complexities.

What distinguishes “There’s Somebody Here” is its adept pairing of thematically rich content with infectious musicality. It is a cautionary tale woven into its sonic landscape, prompting introspection alongside an immersive rhythmic experience, fostering a desire for repeated listening.

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Feyisayo Anjorin’s latest single accentuates his diverse artistic capabilities, positioning him not only as a musician but also as a screenwriter, novelist, and songwriter unafraid to dissect the intricacies of societal norms. Ultimately, the composition stands as an audacious reminder there’s always somebody lurking in the shadows, urging listeners to awaken not only to new possibilities but also to the stark realities that frequently lie hidden behind the familiar facade.

 
CLICK HERE TO STREAM Feyisayo Anjorin’s There’s Somebody Here on Spotify.
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Artist Spotlight

Mamas Gun and Brian Jackson shines light on the truth on latest release “DIG!”

Mamas Gun

Mamas Gun makes a strong comeback with their new single “DIG!.” The track sounds more like a strong statement of intent than just a release. The UK band is known for its smooth blend of blue-eyed soul and traditional black music. They show once again that they can make music that sounds both thoughtful and very new, while still being real, emotional, and sophisticated.

“DIG!” was recorded directly onto analogue tape, and every note has warmth, grit, and soul. The production choice gives the music a rich, natural sound that complements the band’s unique groove. It is a piece of music that makes people slow down, really listen, and experience it rather than hear it.

Adding famous collaborator Brian Jackson, whose vocals, keyboard, and flute give the song a timeless elegance, adds even more depth and magic. Jackson is known for working with artists such as Stevie Wonder, Gil Scott-Heron, Roy Ayers, and Earth, Wind & Fire. His addition makes the song something truly special. His reunion with Andy Platts, the lead singer of Mamas Gun, almost twenty years after they first worked together creatively in New York, gives “DIG!” a very personal touch that can be felt throughout. “DIG!” sets a strong mood based on connection, art, and essence. Mamas Gun not only goes back to their roots but also makes them stronger. This song is heartfelt, timeless, and completely captivating.

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Artist Spotlight

Bromsen crafts a suspension between attachment and release in new single “Concendrain”

Bromsen

Bromsen’s latest release, “Concendrain,” is very immersive and lives in the space between control and disintegration. The song smoothly shifts from focused to tired, from connected to free, and captures a complex emotional balance that is both personal and universal.

“Concendrain” starts slowly and carefully, the structure has layers that change over time, so each part can come out on its own without any stress or hurry. As time goes on, electronic textures begin to emerge, giving the music a mood that eventually turns into rock-infused energy. These different sounds don’t clash, they work together to create a track that is alive, fluid, and always changing.

The guitar, voice, and rhythm should all work together on the song. These parts don’t compete for attention; instead, they work together to make a smooth flow that pulls the listener into the song’s emotional depth. The arrangement features vocals that complement complex guitar lines and a steady beat that keeps everything in line.

“Concendrain” is really interesting because it has two sides. The track is about the fight in your head between giving up and pushing through, and between staying focused and giving in to tiredness. Bromsen and Reatsch work together to make something that looks natural and well-made. “Concendrain” doesn’t try to be cool or follow trends. Instead, it gives you a slow experience that you should really pay attention to. “Concendrain” is a powerful and thought-provoking work that sticks with you long after the last note has faded away. It stands out because its structure changes, its atmosphere is rich, and its emotions are strong.

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