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Future Sings His Heart Out In New Snippet

Gone are the days when Future brought darker energy to his music, with 2019’s The WIZRD and Save Me seeming to mark a transitional phase for the Atlanta rapper. Since then, it’s been High Of Life and “Life Is Good,” not to mention a brief stint in a passionate relationship with Lori Harvey. And while Future is once again embracing the life of bachelorhood, it would appear that he’s retained that emotional awareness and carried it into his new music.

Future

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In fact, this recent snippet seems to be one of his most pop-friendly sounds thus far, perhaps signaling a possible direction for his next project. Between the autotune soaked vocals and the abundance of spacey reverb, Future’s lyrics are all but impossible to make out. The vibe, however, is reminiscent of early The Weeknd in a way, with Future’s main melody occupying the bulk of the largely minimalistic space. It’s unclear if the track will open up as it progresses, or if it will remain a stripped-down and largely sung cut in the vein of “Love Thy Enemies.”

Either way, it seems to indicate where Future’s creative headspace currently sits, a conclusion that will likely spark different responses depending on stylistic preference. Though it’s unlikely we’ll see another new album before 2020 wraps up, don’t be surprised to see him come out swinging with another early winter release in 2021. Check out the snippet below, and sound off — is this a good direction for Future to take?

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Artist Spotlight

Billy Chuck Da Goat finds his flow on new release “Vibez”

Billy Chuck Da Goat’s latest release, “Vibez,” has a laid-back, hypnotic bounce that makes it easy to listen to without ever feeling empty. It makes a place where calmness and quiet confidence come together.

“Vibez” was made on purpose, but it also sounds simple. Billy Chuck’s smooth delivery flows through the production without rushing or pushing anything. Instead, he lets the rhythm breathe, allowing people to get into the song at their own pace. This laid-back energy is the best part of the song, nothing feels forced, which is exactly what it’s trying to do.

The track changes to fit whatever you need it for, like a late-night drive, a focused workout, or a way to unwind after a long day. It has a quiet edge of confidence, it’s not loud or bragging, but it’s steady and sure of itself.

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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