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Garfield’s “Who You Lovin?” is a cry from a rising voice

Garfield

In a music scene where many hip-hop artists often hide their true feelings behind tough exteriors, Brooklyn’s rising star, Garfield, is bringing something truly special to the table. His new single, “Who You Lovin?”, featuring SYN, is an emotional journey that hits hard and feels authentic. Coming from Brownsville, Garfield has been quietly earning a reputation as one of the most honest voices in the borough. With “Who You Lovin?”, he takes a significant step forward. This track is a heartfelt expression of his pain, woven through the struggles of losing his mother to ALS and facing the end of a meaningful relationship.

It’s deeper and more personal than anything he’s shared before. Despite the heavy emotions behind the lyrics, “Who You Lovin?” is far from negative. It has a strong rhythm and energy that keeps it moving. With a mix of powerful beats and sounds, Garfield’s unique style shines as he effortlessly shifts between soft singing and strong rapping. You can feel him pouring out his pain, but he’s not seeking pity, just understanding. The catchy chorus, “Who you lovin’ on these days, who you touching on these days, ’cause it ain’t me baby… who’s gon’ love you like me these days?” sticks with you. It’s a line that resonates deeply, touching your heart and mind.

What sets Garfield apart is not just his ability to blend catchy melodies with real-life experiences, but the way he expresses his emotions in his writing. “Who You Lovin?” talks about heartbreak and makes you feel it personally, showing the human side of sorrow. With this release, Garfield proves he’s more than just another artist telling his story. He’s a powerful storyteller who isn’t afraid to show his vulnerabilities, and “Who You Lovin?” captures the sound of a person determined to express his feelings and experiences.

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Artist Spotlight

Bluridge enters the global scene with debut release “On Top Of The World”

BluRidge

BluRidge makes its mark in the pop world with its first official release, showing that it is very sure of itself. The title “On Top of the World” is music that’s carefully made to lift your spirits, get you moving, and give you the energy you need to party.

The song blends pop, dance-pop, and trap-infused rhythms, but it doesn’t stick to a single genre. “On Top of the World” has a light, free quality, taking you to a place where music becomes a driving force. This piece is meant for people to listen to, as well as sunlight, stage smoke, and the sounds of open fields.

The hook gives you the freedom to believe in elevation again, to feel triumphant, to let go of joy, and to see beyond what seems unimportant. BluRidge lifts others, and their first official release shows this energy in full. BluRidge is making anthem-like songs that make you want to move and give you a sense of power.

This single marks an essential time for BluRidge, and their first release on a label that not only hints at potential but also joyfully conveys it through rhythm, momentum, and evident joy. It sets the tone for both their destination and the height they want to reach.

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Artist Spotlight

Séhkou expresses a sacred pain through light in “Irreverent Beauty (2 Cor. 12:9)”

Séhkou

“Irreverent Beauty (2 Cor. 12:9)” breathes like a physical being in prayer, shaking, remembering, and slowly coming back to life. Séhkou’s work is a spoken psalm full of sadness, an open wound, and a testament that gets its strength from being weak, not loud.

The work has the seriousness of scripture, the softness of confessional poetry, and the gentle confusion that comes with spiritual healing. This is a softness that comes from years of breaking, fixing, breaking again, and realizing that the Divine is always there in each crack.

Séhkou talks about the paradox of divine support amid life’s scars, and he shows the pain as beautiful, even holy, and the track knows where light always tries to get in. “Irreverent Beauty (2 Cor. 12:9)” is like a map of lasting scars, showing a faith that doesn’t get rid of pain but changes it. Séhkou whispers that he is still becoming, and that is, in a way, more triumphant. In a culture that loves polished stories, this work shows the flaws and treats them as sacred.

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