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Garth Adam transforms lost expectations into empowerment on “Pocketfull of Tears”

Garth Adam

Garth Adam starts a new emotional phase with his new single “Pocketfull of Tears.” The track gently collects the pieces of heartbreak and turns them into a quietly defiant expression. The song’s introspective narration and underlying sense of resilience capture the pain of unmet expectations while firmly refusing to give in to them.

“Pocketfull of Tears” has a real sense of authenticity that is both personal and universal. Adam accepts openness, allowing the pain of disappointment to surface. But underneath the sadness is strength. This balance, gentle but firm, gives the track its deep, honest quality. He doesn’t make suffering sound worse than it is, he studies it and turns thought into action.

The track is part of Adam’s ongoing artistic growth, which has led to his most recent EP, Three Fires. Adam toured the world in the 1990s and early 2000s, playing in England, Italy, New Zealand, the US, and Canada. He changed a lot during a trip to Austin, Texas, which he calls “the quintessential singer-songwriter town.” That important moment gave him the confidence to start making his own work again, which led to a successful career as an independent DIY artist.

The EP sessions in Perth, Western Australia, with longtime collaborator and producer Melvin Tree and friend Dave Kelly were both natural and fun. The three of them played together in a circle, using their instruments and recording through an old Studer analog console to create a warm, natural sound. The backing vocals from Tree’s students add emotional depth and subtly enhance the overall mood. In “Pocketfull of Tears,” Garth Adam tells listeners that even when they are heartbroken, they have a strength that can be used, and that healing often starts with not giving up.

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Artist Spotlight

St. Art paint tunes into possibilities on new release”Metanoia”

St. Art

St. Art, the experimental pop band also known as the Quantum Synthesizer, has released its new single, “Metanoia.” This track goes beyond what we usually think of as music. This is more than just music, it’s an experience, a meditation, and a journey through places yet to be explored.

“Metanoia” is, at its heart, a brave look at sound as a form of energy. St. Art doesn’t just make music, they connect with the essence of reality and create sounds that wake up both memory and intuition. Synthesizers make sounds that are both strange and very familiar. Listening turns into a conversation full of possibilities, a place where the real and the abstract meet.

This doesn’t fit the usual definition of pop music. It’s a new way to change sound so that melodies become probabilities and feelings become harmonies. Every note and waveform seems to change how the listener sees things, which lets them “see” sound and “feel” probability. It makes you think and gives you energy at the same time. It’s personal, but it also lets everyone in.

St. Art’s tools are just as strange as their methods, frequency and intuition synthesizers, languages that can’t be spoken, images that can’t be erased, and voids that are full of everything. In “Metanoia,” these instruments work together to create a universe out of sound. This shows that music isn’t just for fun, it can also be a way to get somewhere. “Metanoia” is a way for people ready to try something new to enter a world where creativity, consciousness, and quantum probability come together. St. Art tells you to listen, but it also tells you to get involved, grow, and maybe even have your own “Metanoia.”

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Artist Spotlight

Tony Frissore lights up lunar new year with “Island Lantern Festival”

Tony Frissore

Tony Frissore’s latest single, “Island Lantern Festival, “is a calm, bright way to celebrate the new year. The piece is more about self-reflection, warmth, and community illumination than it is about excitement and showiness, which is what the Lunar New Year is all about.

From the first note, the music takes you to a tropical night where glowing lanterns float through the air. Frissore’s ability to mix soft rhythms, calming flutes, and subtle global influences creates a sound space that is both personal and broad. The track has a sunny sway thanks to subtle reggae undertones, and the lo-fi, introspective layers remain audible. The music is calm but subtly uplifting, making it great to listen to at night or when you want to think about yourself as the new year begins.

The “Island Lantern Festival” is special because it can make people feel like celebrating without any show. Frissore doesn’t convey the spirit of renewal, prosperity, and unity. Instead, he creates a mood, texture, and musical subtleties. The track sounds modern, but it could also be from any time. It’s a modern tribute to tradition that crosses cultural and sound lines.

Frissore’s “Island Lantern Festival” is a powerful reminder of how nice it is to be calm, with others, as the lanterns rise and the night settles into the mind. He is celebrating the Lunar New Year with the “Island Lantern Festival,” which is also a way to slow down and connect with others in a world that moves too quickly.

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