Artist Spotlight
GOODTWIN shares reflection with indie-pop single, “Soak It Up”
The indie-pop project GOODTWIN offers a subtly stirring new single, “Soak It Up,” that’s sort of like taking a deep breath after drowning out the world for so long. The track combines avant-garde jazz elements with their indie-pop sensibilities. “Soak It Up” is more of a quiet rallying cry than a rousing proclamation.
The song gently explores the push-pull of life between external pressures and inner peace, the feeling of being pulled in multiple directions while seeking a soft place to land. GOODTWIN’s leading force and vocalist, Gus Alexander, wrote the song in response to that insidious, yet understated, influence on modern life, and the need for validation, doing something useful with your time today, and, at the same time, being attractive enough to get what you need gutted from someone else.
“Soak It Up” offers an encounter with the concepts by attending to how it was made, with a focus on presence rather than performance and on significance over distraction. The balance between warmth and precision in the production is immaculate. The track, produced and engineered by Carly Bond and Germaine Dunes of Sound and Hearing at Altamira Sound, has a refined yet raw feel that doesn’t seem polished but rather suggests a human element, which suits its introspective tones.
Jack Doutt’s mastering adds another layer of depth to a soulfully rich composition, leaving enough space for each element to shine without overwhelming the others. The result is a cohesive, immersive sound that feels intentional throughout. For fans of indie-pop with a sprinkle of jazz, introspective verses, and emotionally driven production, the track is an exciting addition to GOODTWIN’s blossoming discography. It’s a piece of music that invites a slower tempo, that forces attentive listening, and, with it, an experience more fully lived.
Artist Spotlight
Una Lengua Infinita releases gentle string quartet piece on “Bajo un cielo cuadrado”
Una Lengua Infinita is back with a new single, “Bajo un cielo cuadrado,” that is both quiet and captivating. It is a neoclassical piece for string quartet that takes listeners to a place where music and memory can coexist. The piece is based on Mohammed Serifi-Villar’s autobiographical book about Morocco’s Years of Lead.
The whole piece has a strong sense of light. The string quartet points to a deeper, more personal experience that feels spiritual, close, and deeply human. It’s a subtle yet powerful artistic choice that lets the emotional weight emerge on its own rather than pushing it to the surface.
“Bajo un cielo cuadrado” is also a conversation between different types of art. It stands on its own, but you can tell that it is part of a bigger story that you can only fully understand by reading Serifi-Villar’s book. This connection between music and literature makes things even more interesting, encouraging listeners to engage with more than just the sound.
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Artist Spotlight
Spiros Exaras blends jazz with greek roots on “Kalamatiano Medley”
Spiros Exaras’ latest instrumental track, “Kalamatiano Medley,” boldly draws on Greek tradition while also being very modern and original. “Kalamatiano Medley” is really a carefully planned arrangement that brings together three traditional Greek songs into one smooth musical journey.
What really makes the track stand out is its rich instrumental quality. The jazz music makes the medley feel free and spontaneous, and the drums provide a steady yet expressive foundation that shifts the mood and tempo as the song progresses. The lead guitar work, on the other hand, is both technically impressive and emotionally powerful, showing that Exaras is a master at making sound choices that add more depth.
“Kalamatiano Medley” isn’t just an instrumental, it’s a way to celebrate who you are as a musician. The result is a lively and interesting piece that both traditional music fans and modern jazz fans will enjoy.
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