Album Review

Gregory Hutchinson released his debut solo album, “Da Bang”

Gregory Hutchinson, the renowned drummer known for his exceptional work alongside jazz legends and contemporary music icons, unveiled his debut solo album, “Da Bang,” via Warner Music. This highly anticipated 15-track release is a testament to Hutchinson’s remarkable journey through music and his unrelenting passion for pushing artistic boundaries.

Gregory Hutchinson’s illustrious career has seen him collaborate with an impressive roster of artists spanning jazz, hip-hop, R&B, and Neo-soul genres. Hutchinson’s versatility knows no bounds, from jazz greats like Betty Carter and Wynton Marsalis to modern trailblazers like Common and Karriem Riggins. His rich and diverse musical upbringing, rooted in classic hip-hop, reggae, and soul sounds, has shaped him into a genre-defying musician.

“Da Bang” is more than just an album; it’s a groundbreaking exploration of musical genres, fusing elements of hip-hop, funk, R&B, and Neo-soul into a harmonious symphony. Hutchinson’s virtuosity on the drums and his fearless approach to songwriting shine through in every track.

The album opens with “What’s Best For Us (Feat. PJ),” a silky-smooth Neo-soul masterpiece that effortlessly blends Hutchinson’s signature beats with soulful vocals. This track sets the stage for the following genre-bending journey, inviting listeners to dance, reflect, and celebrate life.

“When They’re Gone” takes a darker turn, combining rugged beats, grimy ambiance, and psychedelic layers of texture and melody. Samora’s emotive reggae and dancehall vocals add depth to this track, inspired by Hutchinson’s personal experiences and the loss of jazz trumpeter Wallace Roney and basketball legend Kobe Bryant.

“We Got Drumz (Feat. Javier Starks & Soweto Kinch)” and “My Turn Now” showcase Hutchinson’s incredible drumming prowess, seamlessly blending modern R&B with jazz influences. These tracks are a testament to his ability to bridge generations and styles with his music.

“Da Bang” boasts an impressive lineup of collaborators, including Karriem Riggins, James Poyser, Ray Angry, Nicholas Payton, Kurt Rosenwinkel, Leona Berlin, Vernon Reid, and Sy Smith. This diverse cast of artists reflects Hutchinson’s far-reaching impact on the music world.

As Gregory Hutchinson steps into the spotlight with “Da Bang,” he embarks on a new musical journey while continuing to leave an indelible mark on the worlds of jazz, hip-hop, Neo-soul, and R&B. With this groundbreaking album, he invites audiences to join him on a thrilling exploration of musical frontiers.

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Album Review

INTERCONTINEN7AL unveils a sonic revolutionary masterpiece in its debut EP, “World Over”

INTERCONTINEN7AL, a pioneering musical ensemble based in Castle Rock, Colorado, has set a new standard for global music collaboration with the release of their debut EP, “World Over.” This five-track recording represents a sophisticated and ambitious artistic endeavor, featuring contributions from 21 musicians across all seven continents, including Antarctica. The EP creates a cohesive and innovative musical experience that transcends traditional boundaries. Drawing inspiration from the legacies of renowned groups such as Pearl Jam and The Beatles, the band skillfully interweaves a rich array of genres, encompassing progressive rock, pop, Latin, jazz, and bossa nova.

In addition to its musical ingenuity, “World Over” exemplifies the capacity to redefine musical connectivity through its deliberate and ambitious approach to collaborative artistry, thus challenging established paradigms in the history of music. Over a four-year production period, “World Over” has emerged as a considerable case study in musical evolution, representing an unparalleled instance of creative expression that bridges historical and contemporary innovations while acting as a uniquely intimate and universally resonant form of communication.

The EP opens with “Puerto Aisen,” an engaging fusion of classic pop-inspired harmonic tones and euphoric melodies that encapsulate the thrill of exploration. The subsequent track, “Night Shift,” is a shimmering and soulful anthem featuring an ethereal guitar introduction recorded in Antarctica, authentically reflecting the band’s groundbreaking ethos. This song’s therapeutic warmth and rich emotional spectrum exemplify the band’s skill in transforming unique narratives into universal connections.

Midway through the EP, “Butterflies“ emerges with a jazz-infused elegance, providing a heartfelt exploration of introspective sonic vulnerability. The fourth track, “The Chamber,” employs a modern pop sensibility characterized by rhythmic piano chords and dynamic elements that invite listeners into an auditory realm of emotional reflection. The EP culminates with “Manor Hill,“ a hauntingly beautiful finale imbued with jazz rhythms and poetic lyricism. This concluding track leaves a lasting impression through its intricate storytelling and shimmering instrumentation, creating melodic beats that resonate long after the music has ended.

“World Over” represents an immersive auditory experience that reflects the band’s versatility and unwavering dedication to authentic musical expression. Each track exhibits lush arrangements, evocative vocal harmonies, and meticulous production, crafting a holistic narrative that appeals to listeners on profoundly personal and global levels.

As INTERCONTINEN7AL continues to evolve, “World Over” establishes itself as a groundbreaking work within the literature of artistic collaboration, integrating emotional depth and progressive musical techniques. This debut EP constitutes essential listening for individuals who value music that challenges conventional norms and fosters genuine connectivity through sound. “World Over” promises to enrich and influence the musical landscape for enthusiasts worldwide, significantly impacting playlists and listeners’ hearts.

For more information about INTERCONTINEN7AL, please visit [website].
CLICK HERE TO STREAM INTERCONTINEN7AL’s EP “World Over“ on Spotify.
CONNECT WITH INTERCONTINEN7AL | Instagram | Twitter |

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Album Review

Couldn’t Be Happiers unleashes a harmonious ode to modern existence with its EP “Couple(t)s Side A”

Get ready to be enchanted as North Carolina’s folk-rock duo Couldn’t Be Happiers invites listeners into their universally resonant anthems by releasing their eagerly awaited EP masterpiece, “Couple(t)s Side A.” This ambitious and heartfelt six-track collection brimm with introspection, poetic storytelling, and bold sonic exploration. The timeless melodies EP showcases the duo’s signature blend of heart-on-sleeve authenticity and genre-defying artistry.

More than a clever title, “Couple(t)s Side A” celebrates Jodi Hildebran Lee (playing drums, vocals, harmonica) and Jordan Crosby Lee (guitar, vocals) both as a married couple and as fervent admirers of poetic couplets. Produced in collaboration with Doug Davis of Flytrap Music Production, the EP is a testament to the duo’s harmonious synergy that defines their partnership in music and life. Organized thematically into categories of romantic compositions, protest anthems, and folk narrative ballads, the EP interweaves a complex tapestry of emotion, resulting in a work that is both diverse and cohesive.

The EP evocatively begins with “Come Back Tomorrow,” a euphoric folk-rock brilliance brimming with optimism and hope. With assertive harmonies and striking lead vocals, the track embodies a poignant reflection on the resilience of love and community amidst the uncertainties of modern life. The title track, “When I Die,” follows with a soulful warmth that lays bare life’s imperfections through melancholic yet therapeutic tones.

Each subsequent track deepens the EP’s emotional and thematic complexity. “Plastic Bag Odyssey (I’ll Never Die)” delivers a skillfully crafted critique against societal ills, while “Tear It Down” electrifies with timeless folk-infused grooves and emotive instrumentation. The haunting “Devil’s Tramping Ground” pairs dynamic beats with a dreamlike atmosphere, exploring the euphoria of discovery. Closing the EP, “Pretty Polly” leaves an indelible mark with its hauntingly introspective folk narrative, with trembling vibrato and seamless narrative flow.

With robust instrumentation including sousaphone, melodica, accordion, and musical saw, “Couple(t)s Side A” captures the essence of the duo’s dynamic live performances while pushing the boundaries of their artistry. It’s a sonic odyssey that invites listeners into the intimate, heartfelt world of Couldn’t Be Happiers, blending classic folk vibes with modern, introspective charm.

This EP marks a significant milestone in the duo’s growing discography, highlighting their unique approach to songwriting and storytelling. As Couldn’t Be Happiers continues to evolve and innovate, “Couple(t)s Side A” firmly solidifies its place as an exciting rising voice in the folk-rock scene.

For more information about Couldn’t Be Happiers, please visit [website].
CLICK HERE TO STREAM Couldn’t Be Happiers’ EP “Couple(t)s Side A“ on Spotify.
CONNECT WITH Couldn’t Be Happiers | Instagram | Facebook |