Music

New Mixtape: Hakeem Prime – Reclaimed II • SoundCloud Exclusive

For those who’ve had the pleasure of immersing themselves in Hakeem Prime’s sonic universe through “Detour 2,” the release of “Reclaimed 2” is a highly anticipated musical sequel. If you’ve been yearning for more of the captivating artistry that made “Detour 2” an unforgettable experience, Hakeem Prime’s latest offering takes you on another mesmerizing journey into his evolving musical world.

Song 1: “No Spinning Back” – A Familiar Groove

“Reclaimed 2” kicks off with “No Spinning Back,” a track that immediately feels like an old friend. With an infectious beat and Hakeem Prime’s distinctive unapologetic style, it reminds you of the magic that drew you into his music in the first place.

Listen to No Spinning Back (Reclaimed 2) by нａ𝐊𝔢ⓔⓜ 𝓹𝐑Ⓘ𝓜乇 on #SoundCloud

Song 2: “Still Single” – An Evolution in Storytelling

“Still Single” delves into the complexities of relationships, much like its predecessor. However, this time, Hakeem Prime’s clever wordplay and lyricism have evolved, providing a fresh take on the theme. It’s a testament to his growth as a storyteller.

Listen to Still Single (Reclaimed 2) by нａ𝐊𝔢ⓔⓜ 𝓹𝐑Ⓘ𝓜乇 on #SoundCloud

Song 3: “Brief Hiatus” – Reflective and Revamped

In “Brief Hiatus,” Hakeem Prime reflects on his personal journey and aspirations, bringing to the forefront his experiences and personal growth. It’s a track that’s both reflective and revitalized, capturing his evolution as an artist.

Listen to Brief Hiatus (Reclaimed 2) by нａ𝐊𝔢ⓔⓜ 𝓹𝐑Ⓘ𝓜乇 on #SoundCloud

Song 4: “Free Game” – A Dynamic Collaboration

“Free Game” featuring Toska Nova is a testament to Hakeem Prime’s versatility. The collaborative brilliance in this track showcases how he continues to push boundaries, offering a dynamic listening experience.

Listen to Free Game Feat. Toska Nova (Reclaimed 2) by нａ𝐊𝔢ⓔⓜ 𝓹𝐑Ⓘ𝓜乇 on #SoundCloud

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Song 5: “Almighty” – Raw Emotion, Familiar Resonance

“Almighty” delves into raw emotions, much like the tracks from “Detour 2.” It’s a song that resonates with the honesty and vulnerability that drew you to Hakeem Prime’s music in the first place.

Listen to Almighty (Reclaimed 2) by нａ𝐊𝔢ⓔⓜ 𝓹𝐑Ⓘ𝓜乇 on #SoundCloud

Song 6: “I Can’t Leave Her Alone” – A Harmonious Expansion

Featuring Lyricallashea and Amira, “I Can’t Leave Her Alone” is an expansion of Hakeem Prime’s musical horizons, much like “Detour 2” introduced new elements. The harmony between artists creates a multi-dimensional narrative.

Listen to I Can’t Leave Her Alone ft AMIRA, LYRC (Reclaimed 2) by нａ𝐊𝔢ⓔⓜ 𝓹𝐑Ⓘ𝓜乇 on #SoundCloud

Song 7: “Montra” – An Evolution in Lyrical Prowess

“Montra” is a lyrical masterpiece that takes Hakeem Prime’s storytelling abilities to the next level. The richness in both content and rhythm reflects his growth as an artist.

Listen to Montra Feat. LYRC (Reclaimed 2) by нａ𝐊𝔢ⓔⓜ 𝓹𝐑Ⓘ𝓜乇 on #SoundCloud

Song 8: “Extra (Outro)” – A Satisfying Continuation

The album concludes with “Extra (Outro),” providing a melodic and satisfying continuation of the musical journey, leaving you yearning for more.

Listen to Extra (Outro) by нａ𝐊𝔢ⓔⓜ 𝓹𝐑Ⓘ𝓜乇 on #SoundCloud

For fans of “Detour 2,” “Reclaimed 2” is a musical sequel that not only continues the journey but also showcases Hakeem Prime’s evolution as an artist. It’s an opportunity to dive deeper into his evolving style and storytelling. The familiarity of the experience, combined with the artist’s growth, promises to be an unforgettable musical voyage. So, embrace the music, let it wash over you, and relish the captivating continuation of Hakeem Prime’s artistry. The sequel has arrived, and it’s bound to be an extraordinary journey.

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Mamas Gun and Brian Jackson shines light on the truth on latest release “DIG!”

Mamas Gun makes a strong comeback with their new single “DIG!.” The track sounds more like a strong statement of intent than just a release. The UK band is known for its smooth blend of blue-eyed soul and traditional black music. They show once again that they can make music that sounds both thoughtful and very new, while still being real, emotional, and sophisticated.

“DIG!” was recorded directly onto analogue tape, and every note has warmth, grit, and soul. The production choice gives the music a rich, natural sound that complements the band’s unique groove. It is a piece of music that makes people slow down, really listen, and experience it rather than hear it.

Adding famous collaborator Brian Jackson, whose vocals, keyboard, and flute give the song a timeless elegance, adds even more depth and magic. Jackson is known for working with artists such as Stevie Wonder, Gil Scott-Heron, Roy Ayers, and Earth, Wind & Fire. His addition makes the song something truly special. His reunion with Andy Platts, the lead singer of Mamas Gun, almost twenty years after they first worked together creatively in New York, gives “DIG!” a very personal touch that can be felt throughout. “DIG!” sets a strong mood based on connection, art, and essence. Mamas Gun not only goes back to their roots but also makes them stronger. This song is heartfelt, timeless, and completely captivating.

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The guitar, voice, and rhythm should all work together on the song. These parts don’t compete for attention; instead, they work together to make a smooth flow that pulls the listener into the song’s emotional depth. The arrangement features vocals that complement complex guitar lines and a steady beat that keeps everything in line.

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“Concendrain” is really interesting because it has two sides. The track is about the fight in your head between giving up and pushing through, and between staying focused and giving in to tiredness. Bromsen and Reatsch work together to make something that looks natural and well-made. “Concendrain” doesn’t try to be cool or follow trends. Instead, it gives you a slow experience that you should really pay attention to. “Concendrain” is a powerful and thought-provoking work that sticks with you long after the last note has faded away. It stands out because its structure changes, its atmosphere is rich, and its emotions are strong.

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