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Halsey, Ed Sheeran, Shawn Mendes Named In Alleged Payola Scandal: Report

Paying radio stations to play certain artists’ music or to have them in heavy rotation is a practice that has been banned in the industry, but that doesn’t mean that there still aren’t deals happening under the table. “Payola” or pay-for-play deals are not only illegal but frowned upon, however on Monday (October 5), Rolling Stone published an exposé where they aired out the teams of a number of top-selling artists. According to the publication, these artists’ labels have been making shady deals with certain radio stations behind closed doors.

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Rolling Stone claims that they obtained over 2,500 text message correspondences between various industry professionals and Steve Zap, an independent radio promoter. Zap used to work for labels like MCA Records, Virgin Records, and Warner Records, and the relationships he formed along the way reportedly continued into his radio career. Texts allegedly show Zap telling radio stations not to take orders from a label directly because “they don’t pay me sh*t,” while billing others for rotation in certain time slots.

“Can we do Flora cash and Khalid,” one text reportedly read about the duo and singer. “Promise them 35 spins each. Will cover that cash giveaway.” In another Zap wrote, “Michael Franti to 35 spins,” followed by “Getting free show.” Another text stated, “Can we move Ellie c Goulding to a steady 40 a week? And x-ambassadors to start 5 a day. We need beach swag.”

In a statement, Zap denied that he’d done anything wrong, adding that these texts were sent out by one of his former employees who recently lost their job. Zap added that he provides a place for artists to receive airplay. “I try to sell radio station program directors on the merits of my clients’ music, and to make friends with program directors at various stations — always within legal bounds.”

“You say that I requested airplay and awarded [a station] with ‘consideration,’ and that such linkage is established by text messages,” Zap added. “The actual texts, though, do not support your characterizations. In the texts, no specific consideration is linked with any specific instance of airplay. Therefore, allegations that I purchased airplay through quid pro quo agreements would be reckless and extremely damaging.”

The artists themselves reportedly didn’t have anything to do with Zap or his alleged dealings with record labels, but Zap is said to have helped increase visibility for artists like Ed Sheeran, Marshmello, Halsey, Backstreet Boys, Ellie Goulding, Shawn Mendes, Panic! At the Disco, and Dua Lipa. It’s expected that there are dozens of other artists who could have benefitted from such behaviors, as well.

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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