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Hanna Andréa turns screen addiction into pop gold with “Get Off Your Phone”

Hanna Andréa

Hanna Andréa delivers “Get Off Your Phone” somewhere between a gentle nudge and a full-on intervention, a sun-soaked, pop tune that’s both playfully confrontational and deeply human. This song is for anyone who’s ever looked up from their screen a little too late.

The track, co-written by Michael Biancaniello, James Conner, Kelsey Gauthier, and Dominique Vellutato, opens Andrea’s EP “Braveheart” with a confident sense of self. The production is bright and airy and refreshingly uncluttered, with an uplifting, almost cinematic warmth. The story is told with a poetic intimacy, the feeling of seeing real, irreplaceable moments dissolve into the glow of a screen.

The central note here is the emotional fallout from digital disconnection, and Andréa explores this with both humor and real warmth. There’s a cinematic uplift to the track, which balances out the melancholy just underneath the surface of life passing by, unnoticed and unappreciated, as the feed keeps scrolling. The EP starts with “Get Off Your Phone,” a bold statement that Hanna Andréa is an artist who transcends genres and has something real to say, and the charisma to make sure you listen.

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A seasoned music writer at Honk Magazine, covering new releases and artist spotlights with a focus on blending insight with captivating storytelling, helping readers connect deeply with the music and the artists behind it.

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Artist Spotlight

“Hell has frozen over” finds Sarina choosing peace over being understood

Sarina

Sarina’s new track, “Hell has frozen over,” explores the less dramatic, more complicated moment of reaching the end of the road, being gaslit, ignored, rejected, and painfully lonely. It translates the emotional burnout into a rock-pop context that’s easy to understand.

“Hell has frozen over” focuses on the decision to step away, instead of explaining, defending, or seeking understanding from people who refuse to listen. The rock foundation gives it the right weight, the pop influence makes it accessible, and the focus stays on the emotional message.

Sarina’s art is the struggle of loss and being strong in yourself. It’s about understanding that protecting your peace is more important than being understood. And that’s the emotional balance that gives the release its character so that the subject matter has relevance beyond a particular circumstance.

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“Hell has frozen over“ is a relief from the burden of carrying on a debate that will never be resolved. Sarina turns an experience of isolation into a statement about boundaries, resilience, and the choice not to get caught in the same cycle. The result is a record that’s at its best when it’s being true to what it feels like to finally be free from whatever has been holding you down.

Photo Credit: Andrea Hunter

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Artist Spotlight

Girlhood finds summer warmth and quiet freedom on “Lemon Aid”

Girlhood

“Lemon Aid“ is a warm indie-pop ballad from Girlhood that finds comfort in the ordinary and weaves in a sense of release. This song is about surrendering to the moment, finding space to breathe, and letting a little lightness back in. This reflective core is surprising, given the warm summer-night feel of the track, hinting at a moment of emotional rebalancing.

Singer-songwriter Natalie Holmes has a tender personality and fronts the slow-burning “Lemon Aid.” The production supports that softness, keeping the song’s gentle mood and intimate direction front and center. Beneath the comfort is a thoughtful examination of pressure, transition, and the need to pause.

The song’s link to the streets of Stroud offers yet another layer of art to the work. Familiar places can mean something when life feels uncertain, and the emotional scene involves storefronts, parks, cafes, and leafy, winding streets. “Lemon Aid“ searches for beauty in everyday places and rituals, finding still moments that mean something without getting carried away.

The track is the first release of Girlhood’s forthcoming album, “This Will Make Sense In The End,” a more reflective chapter with hope at its heart. “Lemon Aid” is about softness, conjuring a space where dancing, wandering, and just existing can feel like a cure. It’s an unleashing of small observations and soft emotional movement and a clear indication of the thoughtful direction that Girlhood is heading next.

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