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Hit-Boy Reflects On Benny & Nipsey Hussle Crying In The Studio

Authenticity is an immeasurably important quality in hip-hop music, and often times that very realness translates directly into the music being made. And while this tends to make for the most memorable music, it’s not entirely commonplace for artists to practice what they preach. In the case of Benny The Butcher, who recently dropped off his new album Burden Of Proof, bringing his life’s story to the booth is an integral part of what drives him. It’s no wonder that making his latest project, crafted entirely with Hit-Boy, was enough to move the rapper to tears.

Hit-Boy himself took a moment to praise Benny’s vulnerability, revealing that he and Nipsey Hussle were the only artists he’s ever seen cry in the studio. “Only 2 artists cried in the stu while making a record with me in the last couple years,” he writes, taking to Twitter following the project’s big release. “Nipsey Hussle when he recorded the second verse on “racks in the middle” and Benny The Butcher on “thank god I made it” Real gangsta shit if you ask me. It’s spiritual at this point.”

As for the song in question, it’s no surprise that the subject matter covered in “Thank God I Made It” brought Benny to such an emotional place. “You made me the man I am today, I never told you,” he raps, in a powerful dedication to his mother. “Dressed me in hand me down ’cause you couldn’t afford Polo/ How it feel to see your two oldest boys’ names on logos?” As the opening verse closes, Benny pens a few bars for his late brother, whose presence can be felt moving forward. “I look in my nephew eyes and I see my brother,” he reflects. “Sometimes I gotta look away ’cause it hurt so much / how that ni**a died so young and he was worth so much?”

Be sure to support Benny The Butcher by streaming Burden Of Proof right here.

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

Connect with François Marius on Spotify || Instagram || Facebook || Youtube || Twitter || Soundcloud

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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