Entertainment
ICECOLDBISHOP & Kenny Beats Keep Gold Fronts In Tact On “Trick Daddy”
Kenny Beats and ICECOLDBISHOP are back with another one. The rising Los Angeles rapper and the producer extraordinaire joined forces in paying homage to the great Florida treasure that is Trick Daddy on their latest single. If you’ve fallen in love with the pairing of ICECOLDBISHOP and Kenny Beats off of “Dickies Suits” and their other collabs, this one surely won’t disappoint. Kenny Beats brings a crunchy synth that contrasts the crispy drums while ICECOLDBISHOP’s entire energy brings out the feel of West Coast. ICECOLDBISHOP scatters references of Slip-N-Slide and Trick Daddy throughout as he gets on some true player vibes with pure ruthlessness. “Ghetto n***a, we was fuckin’ in the park/ Pussy good, I thought we had a spark,” he raps with urgency. “But I really fell in love with her arch/ If the pussy good, bitch you get a yellow heart.”
Check out the track below.
Quotable Lyrics
Bitch I’m a dog
A big dog, oh yeah, I dogged her
Got her number but I still wouldn’t call her
She hit my Facetime and a n***a straight post her
Hoe, you ain’t my main bitch
Why you think you gettin’ dick before you suck it? (Suck it, suck it)
‘Cause she know after the head, we ain’t fuckin’
Artist Spotlight
Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.
Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.
The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.
The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.
The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.
Connect with Seun Kuti & Egypt 80 on Spotify || Instagram || Facebook || Youtube
Artist Spotlight
Marsha Bartenetti reinvents in her own style “New York Minute”
Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.
The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.
“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.
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