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Jeezy Says Recent Deaths In The Hip-Hop Community Pushed Him To Reconcile With Gucci Mane

‘That King Von thing really touched me… Them kids. It ain’t gotta be that way. It was a lot of that,’ the ATL rapper said in an interview. …

One of the biggest hip-hop moments this year occurred on Thursday when Jeezy and Gucci Mane squared off in a much-anticipated Verzuz battle. The two rappers, who have been sworn enemies the last 15 years, ultimately put their differences aside, closing the duel by performing “So Icy” together. It was a satisfying end to the battle, as the bulk of the night was filled with tense moments between. One of those was when the 1017 rapper played his scathing Jeezy diss track “Truth” while taunting his opponent. The following morning, Jeezy stopped by The Breakfast Club to explain why he reconciled with Gucci.

“I just had to make a decision,” Jeezy said. “It’s going to be about what I see going on and how I can contribute and let people understand it’s bigger than us. For all the things you see, that King Von thing really touched me. I know [Lil] Durk well and it was surreal to get that call. Them kids. It ain’t gotta be that way.” He added, “It was a lot of that. What happened to Mo3, what happened to Boosie. It was a crazy weekend.”

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The Recession 2 rapper also said he would be down to make music or tour with Gucci at some point in the future.

For me to hear him say on a stage, “You extended the olive branch,” let me know where we’re headed. I would’ve never thought in a million years I would’ve heard that type of verbiage out of his mouth. Look how many times we went out in the world, to come back where we started and see that. What can you say? Even for the people that support us, it’s divided. Shit, that’s the first time in a while I heard “Icy” and thought, “Cool, I can listen to ‘Icy’ again.”

You can watch Jeezy’s full interview on The Breakfast Club above.

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Gucci Mane is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Artist Spotlight

Sadie Brown delivers a heartfelt illusion of a fake life with her new single “Counterfeit”

Sadie Brown

At the heart of “Counterfeit” is a tale of love manipulated for selfish purposes, yet still feels captivating. Sadie Brown’s new single “Counterfeit” invites listeners into the deceptive lull of beautiful and bleak love, one that promises everything while lacking genuine vulnerability, ultimately delivering only heartbreak. Brown adeptly illustrates the anguish of being entangled in a romantic relationship that never fully reveals itself, leaving listeners caught between longing and the painful acknowledgment of reality. Through ethereal pop sensibilities and a bittersweet melody, Brown explores the complexity of a “counterfeit love life” alluring yet reserved, a love that’s perpetually poised to “cut its losses.” The outcome is a sonic experience that feels as vast and unreachable as a memory of love gone awry.

Counterfeit” doesn’t just touch on the hurt that comes from unrequited love; it captures the quiet resignation accompanying it. With “Counterfeit,” Sadie Brown steps into a new creative direction in her music, mixing introspective storytelling with emotional resonance.

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Written during the lockdown and produced by Cashybear (Tim Ross, formerly of Cash+David), “Counterfeit” builds a hazy, indie-pop atmosphere that feels grounded and otherworldly. The collaboration with guitarist Jimmy Sims (known for his work with George Ezra) lends a retro warmth, creating swirling riffs that complement Sadie’s soft yet piercing vocal delivery. This subtle instrumentation mirrors the song’s themes: a relationship built on false pretenses, with its sweetness fading away like mist.

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Brown draws inspiration from artists like Camera Obscura, Kate Bush, and Lana Del Rey, bringing a charming and restrained sense of vulnerability. Like Joni Mitchell, Brown leans into the contradictions of love, evoking nostalgia but never retreating from the reality of unfulfilled desire. “Counterfeit” is a thought-provoking piece that establishes Sadie Brown as a voice that can authentically convey both the charm and the ache of illusion.

 

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For more information about Sadie Brown, please visit [website]. 
CLICK HERE TO STREAM Sadie Brown’s Counterfeit on Spotify.
CONNECT WITH Sadie Brown | Instagram

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Indie

“Is Everything Okay?” by Tom Minor drops an anthemic vibe wrapped in a gold question

Tom Minor

The newest single by Tom Minor, entitled “Is Everything Okay?” presents a compelling fusion of introspective lyrics and vibrant soundscapes, establishing a unique intersection where self-reflection meets the assertiveness of indie rock. The song commences with an almost casual inquiry, “If you are unhappy and you do not know it, what value does it possess?” This opening lyric serves as both a reflective mirror and a cautionary prompt; it suggests that well-meaning inquiries from others may compel listeners to confront uncomfortable truths they might prefer to overlook while seeking clarity within their complex emotions.

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What renders “Is Everything Okay?” particularly noteworthy is Minor’s effective amalgamation of contemplative lyricism with a multifaceted, genre-defying composition. While indie rock sound with splashes of new wave and power pop have a discernible influence, the track ventures into unexpected realms of psychedelic music. Under the meticulous production of Teaboy Palmer, the song radiates the vitality of garage rock, simultaneously incorporating subtle elements of soul and R&B. The arrangement, characterized by vibrant guitar riffs and a fluid rhythmic structure, conveys the emotional depth of the message without appearing overly burdensome. Minor skillfully employs melody to construct an engaging groove that embodies optimism and challenge.

Additionally, Tom Minor’s vocal delivery demonstrates notable sincerity, reflecting his earnest intent to engage with the audience personally while allowing them space to process their emotional responses. By the conclusion of “Is Everything Okay?“, this work emerges as a significant addition to the contemporary musical landscape. It acts as a dialogue that invites contemplation of one’s current circumstances. The composition provides a form of sonic therapy that avoids offering simplistic solutions. This piece may represent Tom Minor’s most substantial achievement to date, as it fosters a more profound understanding among his audience.

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CLICK HERE TO STREAM Tom Minor’sIs Everything Okay? on Spotify.
CONNECT WITH Tom Minor | Facebook |

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