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Jeezy Says Recent Deaths In The Hip-Hop Community Pushed Him To Reconcile With Gucci Mane

‘That King Von thing really touched me… Them kids. It ain’t gotta be that way. It was a lot of that,’ the ATL rapper said in an interview. …

One of the biggest hip-hop moments this year occurred on Thursday when Jeezy and Gucci Mane squared off in a much-anticipated Verzuz battle. The two rappers, who have been sworn enemies the last 15 years, ultimately put their differences aside, closing the duel by performing “So Icy” together. It was a satisfying end to the battle, as the bulk of the night was filled with tense moments between. One of those was when the 1017 rapper played his scathing Jeezy diss track “Truth” while taunting his opponent. The following morning, Jeezy stopped by The Breakfast Club to explain why he reconciled with Gucci.

“I just had to make a decision,” Jeezy said. “It’s going to be about what I see going on and how I can contribute and let people understand it’s bigger than us. For all the things you see, that King Von thing really touched me. I know [Lil] Durk well and it was surreal to get that call. Them kids. It ain’t gotta be that way.” He added, “It was a lot of that. What happened to Mo3, what happened to Boosie. It was a crazy weekend.”

The Recession 2 rapper also said he would be down to make music or tour with Gucci at some point in the future.

For me to hear him say on a stage, “You extended the olive branch,” let me know where we’re headed. I would’ve never thought in a million years I would’ve heard that type of verbiage out of his mouth. Look how many times we went out in the world, to come back where we started and see that. What can you say? Even for the people that support us, it’s divided. Shit, that’s the first time in a while I heard “Icy” and thought, “Cool, I can listen to ‘Icy’ again.”

You can watch Jeezy’s full interview on The Breakfast Club above.

Gucci Mane is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Artist Spotlight

Mamas Gun and Brian Jackson shines light on the truth on latest release “DIG!”

Mamas Gun

Mamas Gun makes a strong comeback with their new single “DIG!.” The track sounds more like a strong statement of intent than just a release. The UK band is known for its smooth blend of blue-eyed soul and traditional black music. They show once again that they can make music that sounds both thoughtful and very new, while still being real, emotional, and sophisticated.

“DIG!” was recorded directly onto analogue tape, and every note has warmth, grit, and soul. The production choice gives the music a rich, natural sound that complements the band’s unique groove. It is a piece of music that makes people slow down, really listen, and experience it rather than hear it.

Adding famous collaborator Brian Jackson, whose vocals, keyboard, and flute give the song a timeless elegance, adds even more depth and magic. Jackson is known for working with artists such as Stevie Wonder, Gil Scott-Heron, Roy Ayers, and Earth, Wind & Fire. His addition makes the song something truly special. His reunion with Andy Platts, the lead singer of Mamas Gun, almost twenty years after they first worked together creatively in New York, gives “DIG!” a very personal touch that can be felt throughout. “DIG!” sets a strong mood based on connection, art, and essence. Mamas Gun not only goes back to their roots but also makes them stronger. This song is heartfelt, timeless, and completely captivating.

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Artist Spotlight

Bromsen crafts a suspension between attachment and release in new single “Concendrain”

Bromsen

Bromsen’s latest release, “Concendrain,” is very immersive and lives in the space between control and disintegration. The song smoothly shifts from focused to tired, from connected to free, and captures a complex emotional balance that is both personal and universal.

“Concendrain” starts slowly and carefully, the structure has layers that change over time, so each part can come out on its own without any stress or hurry. As time goes on, electronic textures begin to emerge, giving the music a mood that eventually turns into rock-infused energy. These different sounds don’t clash, they work together to create a track that is alive, fluid, and always changing.

The guitar, voice, and rhythm should all work together on the song. These parts don’t compete for attention; instead, they work together to make a smooth flow that pulls the listener into the song’s emotional depth. The arrangement features vocals that complement complex guitar lines and a steady beat that keeps everything in line.

“Concendrain” is really interesting because it has two sides. The track is about the fight in your head between giving up and pushing through, and between staying focused and giving in to tiredness. Bromsen and Reatsch work together to make something that looks natural and well-made. “Concendrain” doesn’t try to be cool or follow trends. Instead, it gives you a slow experience that you should really pay attention to. “Concendrain” is a powerful and thought-provoking work that sticks with you long after the last note has faded away. It stands out because its structure changes, its atmosphere is rich, and its emotions are strong.

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