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Jeremih Said He’s Concerned About Getting The COVID-19 Vaccine After Almost Dying From The Virus

‘Right now? I’m not sure yet,’ he said in his first sit down interview since being released from the hospital on December 6. …

Jeremih had a near-death experience with the Coronavirus this fall and the R&B star’s family even came forward to let fans know just how serious the condition can be. Jeremih has since left the hospital and seems to be doing well, thanking fans and peers for their outpouring of support while he battled a serious side effect of COVID, multi-system inflammatory syndrome that resulted in his organs becoming inflamed.

But now that he’s out and feeling better, the singer said he has concerns about getting a vaccine, as it basically puts an altered form of the virus back into his system. Right around the 13:53 mark, the interviewer brings up the vaccine and Jeremih responds. “Right now? Uhhh, I’m not sure yet,” he said in an interview with Kendra G of WGCI, his first sit down interview since getting out of the hospital. “Right now, I’m good and I’m still taking shots from the hospital. So I’m good for my shots right now.”

The R&B star said he’s also going to keep his hospital bracelet on as a reminder of what he went through. “I just wanted to remind myself of what I’ve been through and sometimes to just remind myself of my purpose on this earth,” he said. “Because while I was in there, I was unsure if I was still going to be able to walk on this earth. So until I get my talk and my walk back I’m going to keep this on.”

Watch the full interview above.

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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