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Jim Carrey Debuts As Joe Biden In SNL Season Premiere

Larger-than-life, award-winning actor, Jim Carrey, made his long-awaited return to television on none other than NBC’s zany political satire, Saturday Night Live. He starred in the 46th season’s cold open as Joe Biden, opposite Alec Baldwin as Donald Trump. 

Carrey garnered substantial press coverage as he donned Biden’s signature toothy smile, he largely avoided Trump’s COVID-19 diagnosis and subsequent hospitalization until the skit’s end. 

Carrey’s Biden pressed a “pause button” on Trump’s interruption, saying in a closing monologue, “Sorry, but I think we all needed a break. Isn’t that satisfying? Just not to hear his voice for a single goddamn second?” The audience answered with applause.

He continued, “America…you can trust me. Because I believe in science and Karma. Now just imagine if science and Karma could somehow team up to send us all a message about how dangerous this virus could be,” he said, glaring at Baldwin’s Trump. 

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He returned to his point, “I’m not saying I want it to happen, but just imagine if it did. So, this November, please get on the Biden train…and we can all make America not actively on fire again.”

Media outlets and Twitter users were quick to catch onto the moment’s reference, with major accounts such as Variety, The Daily Beast, and The Hollywood Reporter, all covering the event.

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Kyle Ashen’s sun-drenched recollection with new release “That Local Girl”

KYLE

Kyle Ashen’s latest release, “That Local Girl,” is a gorgeous trip down memory lane, a country single that explores that golden glow of memory, like flipping through old photographs touched by salt air and summer sunlight. It’s warm, cinematic, and deeply relatable, a song about the kind of love story that never quite goes away, even as time moves on.

“That Local Girl” is filled with imagery that quickly takes the listener into a world they can walk right into. You got a blonde-haired, blue-eyed girl on a boardwalk street by the ocean, a souped-up truck driving through town, neon lights reflecting off the ocean breeze, and the electric innocence of young love burning in the background.

But under all that cutesy trapping is something more than that, longing. Some people, some places that leave permanent marks on Kyle Ashen and us know that. What’s so brilliant about this song is that it marries those two ideas, making love and hometown memory feel beautifully inseparable. Sometimes you miss a person. And with that person, you miss an entire version of life. “That Local Girl” is more than a country love song from Kyle Ashen. He is a living postcard from the past, sun-faded, bittersweet, and glowing with feeling. A reminder that summers pass by, but some memories stay with us forever.

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ECHOFLIP inspires faith and fire with triumphant anthem on “Kingdom Rise”

ECHOFLIP

ECHOFLIP marches forward with commanding purpose on “Kingdom Rise,” a single that not only demands attention but also commands it. Driven by pounding drums, soaring melodic textures, and full-conviction lyricism, the song arrives like a battle cry with the heart of worship. Bold and energized and spiritually charged from beginning to end.

“Kingdom Rise” is street realism meets kingdom vision at its heart. It’s got grit in its pulse but grace in its message as well. Each bar rings with resilience with ECHOFLIP, a record that embodies struggle, perseverance, and steadfast faith in the face of adversity. The result is music that is rooted in reality while reaching for something much larger.

What makes the single particularly compelling is how seamlessly it combines high-energy Christian trap with uplifting spiritual themes. The hard-hitting production has edge and urgency, and its faith-centered focus gives it soul. It’s motivational without being pushy. Worshipful without momentum loss, without losing authenticity. Ideal for trap gospel, inspirational rap, and urban playlists that aim to uplift as much as energize, “Kingdom Rise” delivers on all fronts. It moves the body, it sharpens the mind, it stirs the soul.

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