Indie

JMT and Daniel Hex shares detroit’s dance DNA with genre-bending anthem “Yes, I Can”

Detroit’s underground is being completely redefined by JMT, who represents tradition and evolution in a single stroke. On his latest single, “Yes, I Can,” a collaboration with Daniel Hex, the genre-blending producer has released a world-reversal of GhettoTech that’s sultry, soulful, and fiercely future-forward.

Taken from his new album GHETTOTECHTROPOLIS, “Yes, I Can” is a chameleon combining the pulse of GhettoTech, the precision of Techno, and the velvet soul of classic R&B. Still, there’s an audacity to this cocktail nonetheless, one that manages to feel both nostalgic and next-gen at the same time.

The story of the song is about as rich as the song itself. Born out of a gloomy afternoon spent at Heaven Studios – founded by none other than Royce Da 5’9 the track started life as a slow burn groove, with Daniel Hex’s sultry, luxuriant delivery existing over an easy-moving 125 BPM. But in post-production, JMT pulled a reverse. He turned up the tempo, let the percussion bang that much harder, and invested the track with a restless energy that one would expect to find only in the dimly lit basement of some smoky party: 3 a.m., if we’re lucky.

What makes “Yes, I Can” so magnetic is its twin natures. It’s a dancefloor fire with a soft heart. Hex’s own vocals dance effortlessly over the beat, providing the track with a human pulse under the hood of the machine’s perfect drive. It’s a deliberate contrast, Detroit’s grit and soul conjoined. Ultimately, “Yes, I Can” is the driving force of the future. On it, they are a fearless, finely calibrated clash of vibes that designates JMT a visionary voice in the city’s next musical chapter.

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Artist Spotlight

Sofi Vonn creates cinematic intimacy with her captivating single “Selfish”

Sofi Vonn builds on the atmospheric exploration of her second EP, “Lucky with a Side of Depression,” by immersing you in a deep blend of nighttime feelings and electro-pop. “Selfish” was made in London with up-and-coming producer Malthus, and it captures the EP’s dreamy central theme.

Vonn’s take on pop is always deep and makes you think about yourself, and “Selfish” sums up the struggle between wanting to protect your heart and wanting to be recognized. The song takes you to a softly lit world of thought without making it louder. “Selfish” derives its power from restraint rather than loud rhythms or theatrical hooks.

Sofi Vonn shows that electronic pop can be deep, soulful, and emotional while still being classy. The single fits perfectly into the EP’s emotional framework, where longing meets awareness, desire meets consequence, and beauty meets pain. It’s late-night realism wrapped in dream-pop, and Vonn seems like the perfect person to represent this mix.

“Selfish” is a voice trying to be real, both with other people and, maybe more difficult, with itself. Vonn turns complicated things into simple ones, and in “Selfish,” Sofi Vonn shows that the modern pop scene still has room for subtlety, emotional depth, and authenticity that isn’t too flashy but still makes a big difference.

Connect with Sofi Vonn on Instagram | Facebook | TikTok |

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Artist Spotlight

Cali Tucker Unwraps Christmas Magic With Her New EP “Santa Baby”

Cali Tucker is back in the spotlight this season with “Santa Baby,” a beautifully made holiday EP that captures the heart, warmth, and timeless glow of Christmas classics. Cali is known for singing the National Anthem at NASCAR’s Pennzoil 400 in front of 80,000 fans and more than three million people at home. She brings the same powerful presence and emotional depth to this holiday project.

“Santa Baby” is a great holiday release for music lovers, bloggers, and new artist discovery sites. It has six tracks and lasts 20 minutes. It mixes nostalgia with Cali’s signature smooth vocals. Each song shows off her talent, but “O Holy Night” and “The Christmas Song” are two that stand out as favorites. Both performances show off her range, control, and ability to bring classic songs into modern emotional spaces without losing their original charm.

“O Holy Night” stands out as the EP’s spiritual center, with a glowing performance full of dynamics, warmth, and a cinematic stillness that draws people in. Cali gives the song both respect and a unique touch, breathing new life into a well-known hymn. “The Christmas Song,” on the other hand, makes you feel like you’re sitting next to a fire. It’s soft, heartfelt, and full of stories that make you feel nostalgic. Cali’s voice flows effortlessly through every note, making it impossible not to feel the magic of the season.

The whole EP flows easily and has a mix of fun sparkle, soulful warmth, and classic Christmas music. “Santa Baby” is the perfect song for the season, whether people are making holiday playlists, looking for new Christmas music, or discovering new vocal talents. This EP adds a new but familiar sound to today’s holiday music scene. It has a comforting feel and is easy to listen to repeatedly.