Music
Joe Biden And Kamala Harris’s Sprawling Inauguration Playlist Was Curated By Issa Rae’s Record Label
Getty Image From Sounds of Blackness to Steely Dan, the list has something for everyone. …
Joe Biden and Kamala Harris’s inauguration will be one of the most hopeful days many of us have had in a long time. To acknowledge the optimistic outlook of their first term, the president and vice president-elect have commissioned a sprawling inauguration day playlist full of hopeful songs from across seemingly every genre imaginable. To help curate the list, the duo’s team brought on DJ D-Nice, whose Home School quarantine streams offered a warm distraction from the stress of the early pandemic, and Issa Rae, whose record label Raedio presents the playlist.
There are 46 songs on the list, nodding to the 46th President of the United States, ranging from underground rap like Kota The Friend’s “Lupita Interlude” to all-American rock legends like Bruce Springsteen. There are also some not so subtle messages to the American people in the titles of the song choices, as in the aforementioned Springsteen selection “We Take Care Of Our Own.” The incoming President wants to “Give The People What They Want,” courtesy of the O’Jays and promises to “Pick Up The Pieces” via Average White Band.
And while the feel-good vibes extend throughout the playlist, it’s probably also going to be fun to imagine Joe bopping along to the late MF Doom‘s “Coffin Nails” or SZA’s “Good Days.” Fortunately, there are plenty of well-tread classics for the older set, including Bill Withers’ “Lovely Day,” Curtis Mayfield’s “Move On Up,” Jackie Wilson’s “Higher And Higher,” and Sounds Of Blackness’s “Optimistic.” To put it bluntly, it’s a way better list than anything we could have expected from the other guy, and a smart move on the inauguration committee’s part to nab a purveyor of tastemaking cool like Issa Rae to select a collection of songs that speaks to the needed tone of the Biden-Harris presidency: One of unity, diversity, and hope.
Check out the list above.
Some of the artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Artist Spotlight
Lisa Boostani creates a mesmerizing tidal realm in “Ocean”
Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.
Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.
If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.
The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.
Artist Spotlight
NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”
“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.
This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.
In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.
“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.
Connect with NOAH. on Instagram
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