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Artist Spotlight

Juliette Jemm New Track Released – Mirages Blancs

An emotive beautiful sound is what you get from Juliette Jemm on the new song “Mirages Blancs”. The music truly grabs you right away, because of the love you feel while listening to it. Each element does its part to feed off the other while making one sonically stellar sound. The production sets the ultimate tone with a nice 90’s Pop touch to the sound, that Rose’s vocals glide over effortlessly, to deliver the well-crafted writing that captures the essence of love songs, to make it a record that sticks with you.

For Juliette Jemm, it is this power, a little magical, completely instinctive, to create melodies, and compose music, easily, instantly. But it is not easy to create music. It tears apart the brain in two between the day at work and the evening spent in the living room-home studio. But she can’t quit. She is not a quitter.

While Juliette Jemm is releasing a new song, she is moving on. She lived for a long time in Tokyo, Japan. Thanks to it, she can adapt. She is able to acclimate. She is able to live in tiny flats. It is yet another skill of her. She is exhausting to herself, fabulous to others.

The song “Mirages blancs” is sad and emotional. It is in French. When you play it, people get very moved. The song topic is similar to the one of last Stromae’s song, “L’enfer”. The song was co-produced with the Japanese composer Shohei Narabe (Drum TAO, Kome Kome Club), and the French artist-producer Nampa.

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The artist-producer NAMPA, whose song “Fabulous” met great success in 2018 with notably 1.5 million streams on Spotify, and who is the prod-real of the second album of Juliette Jemm, that is currently in making.

Juliette Jemm released her EP, Motto Blonde, in November 2019. She collaborates/has collaborated with Sugar Sweetie, Julia Mascetti, Jesse The City, and Yonaga orchestra. Juliette Jemm sings in French and in English. Sometimes in Japanese. She speaks fluent Japanese. She has lived 8 years in Tokyo. So some of her inspiration comes from the land of the rising sun.

Juliette Jemm works best on Dance-pop, Electro-pop, Indie pop, & International pop.

 

Instagram: https://www.instagram.com/juliettejemm/

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Spotify:  https://open.spotify.com/artist/49qEi5pTvgsJN1X8bt9yRC

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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