Artist Spotlight

Juliette Jemm New Track Released – Mirages Blancs

An emotive beautiful sound is what you get from Juliette Jemm on the new song “Mirages Blancs”. The music truly grabs you right away, because of the love you feel while listening to it. Each element does its part to feed off the other while making one sonically stellar sound. The production sets the ultimate tone with a nice 90’s Pop touch to the sound, that Rose’s vocals glide over effortlessly, to deliver the well-crafted writing that captures the essence of love songs, to make it a record that sticks with you.

For Juliette Jemm, it is this power, a little magical, completely instinctive, to create melodies, and compose music, easily, instantly. But it is not easy to create music. It tears apart the brain in two between the day at work and the evening spent in the living room-home studio. But she can’t quit. She is not a quitter.

While Juliette Jemm is releasing a new song, she is moving on. She lived for a long time in Tokyo, Japan. Thanks to it, she can adapt. She is able to acclimate. She is able to live in tiny flats. It is yet another skill of her. She is exhausting to herself, fabulous to others.

The song “Mirages blancs” is sad and emotional. It is in French. When you play it, people get very moved. The song topic is similar to the one of last Stromae’s song, “L’enfer”. The song was co-produced with the Japanese composer Shohei Narabe (Drum TAO, Kome Kome Club), and the French artist-producer Nampa.

The artist-producer NAMPA, whose song “Fabulous” met great success in 2018 with notably 1.5 million streams on Spotify, and who is the prod-real of the second album of Juliette Jemm, that is currently in making.

Juliette Jemm released her EP, Motto Blonde, in November 2019. She collaborates/has collaborated with Sugar Sweetie, Julia Mascetti, Jesse The City, and Yonaga orchestra. Juliette Jemm sings in French and in English. Sometimes in Japanese. She speaks fluent Japanese. She has lived 8 years in Tokyo. So some of her inspiration comes from the land of the rising sun.

Juliette Jemm works best on Dance-pop, Electro-pop, Indie pop, & International pop.

Instagram: https://www.instagram.com/juliettejemm/

Spotify: https://open.spotify.com/artist/49qEi5pTvgsJN1X8bt9yRC

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Artist Spotlight

MTS Management Group artists celebrates friendship with new release “A Song for My Friends”

MTS Management Group artists’ latest release, “A Song for My Friends,” is a happy, upbeat song that captures the magic of being together, celebrating, and remembering. The track has a contagious energy that is like the spirit of late-night jam sessions and sing-alongs that happen out of the blue. The production is clean and smooth, but also laid-back.

The tune of “A Song for My Friends” is a toast, and it’s clear what the band wants. A party for the people who have been there since the beginning, the fans who keep coming back, and the nights that artists will never forget that remind them why they fell in love with music in the first place.

“A Song for My Friends” stands out in a world full of overproduced singles because it has heart, energy, and honesty. It’s a moment we shared that I put in a bottle and sent to you with a chorus that you’ll be singing long after the music stops.

Artist Spotlight

Michael Soul hides from being open with new release “Hiding”

Michael Soul’s new single, “Hiding,” is a dark, hypnotic electronic track that takes listeners to a private place in their minds where they are alone, thinking, and feeling upset. “Hiding” was written when the author was very lonely. Michael Soul turns days of being alone, when silence seemed to last forever, and connection seemed impossible, into an immersive sound.

Andrea Mastroiacovo’s polished work makes the single even better, clarifying and deepening the song’s dark mood. The production carefully reflects that emotional weight with simple textures and dark electronic sounds that make you feel like you’re alone with your thoughts.

“Hiding” is a song about feeling alone, scared, and wanting to hide from being open. It asks questions that are quiet but sharp, like why do we hide what we feel? How does fear ruin love? And can we stop going in circles of misunderstanding and emotional distance? These echoes linger long after the track ends, prolonging the sound.

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