Music
Kami Kehoe Reigns Supreme with Dazzling Debut Album ‘DRAMA QUEEN’
Extraordinary multi-genre artist Kami Kehoe unveils her much-anticipated debut album ‘DRAMA QUEEN’, led by the unapologetic single “hate ur f**king self“. This 9-track masterpiece offers an authentic and sardonic exploration of heartbreak, showcasing Kami’s impressive range as a songwriter and performer.
‘DRAMA QUEEN’ takes listeners on an emotional rollercoaster, with songs arranged to reflect Kami’s personal journey through a breakup: from numbness, to unhealthy coping mechanisms, reminiscing, anger, and finally, forgiveness. Kami’s rise to prominence began with “loaded gun”, a song that quickly gained traction on TikTok, earning her over 10,000 followers overnight. Her music encompasses elements of rock, R&B, and funk, all while maintaining a strong foundation in the world of pop.
Kami Kehoe explains, “I titled it DRAMA QUEEN to come off as somewhat sarcastic but also really feeling like I was being too dramatic. Writing each song felt like a therapy session. I would write and release how I felt and then reflect when I listened back to the songs, realizing the emotions I was feeling and accepting them instead of ignoring them.”
The 19-year-old rising star’s background as a drummer shines through her music, which expertly blends old and new soul to create a sound that effortlessly weaves between genres. Kami’s dedication to her craft began at the age of 6, when she started learning drums, eventually writing her own music and performing backup vocals in a band with her sisters.
Following the band’s dissolution at age 16, Kami continued to pursue her passion for music, teaching herself production and engineering from her bedroom. Over the past three years, she has created a catalog of over 100 unreleased songs, constantly refining her unique sound. Now, with the release of ‘DRAMA QUEEN’, Kami is ready to share her talent and vision with the world.
Stay with Kami Kehoe: Instagram | TikTok | YouTube | Spotify
Artist Spotlight
“Subterranean Homesick Blues” finds a new direction through Ghost of Panama
Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.
This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.
“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.
Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.
Artist Spotlight
“NO MORE” by Amanda Holley connects healing, awakening, and survival
“NO MORE“ carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.
“NO MORE“ is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.
Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.
“NO MORE“ is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.
Photo Credit: Yulia Shusharina
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