Music
Kanye West’s Fans Honor The Anniversary Of ‘My Beautiful Dark Twisted Fantasy’ By Debating His Best Album
Getty Image People were divided on whether the 2010 album was his overall best. …
Ten years ago today, Kanye West dropped his fifth album My Beautiful Dark Twisted Fantasy. It arrived at the backend of a tumultuous point in his career, filled with headline-making moments, like his 2009 MTV VMA incident with Taylor Swift. It produced many unforgettable moments, such as Nicki Minaj’s incredible verse on “Monster” and Kanye’s performance at the 2010 MTV VMAs. A decade later, fans took to Twitter to celebrate the album and answer one question: Is My Beautiful Dark Twisted Fantasy Kanye’s best album?
Yes. This genuinely feels like the culmination of so many parts of hip hop into one perfect project. It tells a beautiful story, the features are perfect, it's littered with iconic moments and devil in a new dress and runaway is the greatest two track run ever in my opinion.
— How much a really cost? (@StinkyYeezy333) November 22, 2020
Undisputed classic https://t.co/MPYe3zeEyW
— 𝘼$𝘼𝙇 𝙁𝘼𝙍𝙄𝘿𝙕 (@faxxdz) November 22, 2020
This was Kanye’s peak. Both fashion and musically. Amber was his greatest muse. https://t.co/dxFsCfIEcO
— Globethotter (@BrianMcLight) November 15, 2020
For some, the question was an easy one to answer. One Twitter user said yes and labeled it a “culmination of so many parts of hip hop into one perfect project.” Another said seemed to agree as well and called it an “undisputed classic.” More comments poured in support of My Beautiful Dark Twisted Fantasy, with another saying, “This was Kanye’s peak. Both fashion and musically.”
No Late Registration is way better no kizzy. https://t.co/DBxj99vJ3y
— Harold (@hbdecember01) November 22, 2020
Nah. It’s The Life of Pablo https://t.co/nvNeGd08xn
— james henry (@jhenrynj5) November 22, 2020
Fuck no Graduation Late registration or a college dropout https://t.co/dEgDiANZDo
— Marc Miller (@BigIzzoLik) November 22, 2020
Others weren’t so sure it was his best. One chose Kanye’s 2005 Late Registration, while another opted for 2013’s The Life Of Pablo. The varying responses continued, with another Twitter user calling his first three albums — College Dropout, Late Registration, and Graduation — better releases.
You can find more takes from fans below.
MBDTF one of Ye best albums Idc. I love the WHOLE thang
— Pebbz (@_xTrvplantaa) November 22, 2020
MBDTF is the best rap album of all time are you dumbbb
— RoH (@RohitIsntThere_) November 22, 2020
MBDTF is one of the best albums of all time. In music not just hip hop
— (@masua00) November 22, 2020
MBDTF is just the best by that man and every one brought their A game. Even the tracks that didn’t make it
— Tan Tebow (@izTariq) November 10, 2020
Happy bday MBDTF!! The best hip hop album of this century
— idk (@carson_you) November 22, 2020
TLOP exists for a reason please https://t.co/sjgcfj8523
— #ENDSARS (@baby2stackss) November 22, 2020
Nope Yeezus https://t.co/hpRuLV2E7w
— SlimeGod ひ (@SlimeGuyEli) November 22, 2020
Late Registration or Graduation. https://t.co/5e6F4lE8Ag
— Quan. (@FAYGOS2) November 22, 2020
No and it’s not even the best Kanye album of last decade https://t.co/fKNor3VLeX
— . (@TheQMerk) November 22, 2020
graduation is a thing https://t.co/k49HlR3NXG
— koco (@Kocos_the_Troll) November 22, 2020
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Sadie Brown delivers a heartfelt illusion of a fake life with her new single “Counterfeit”
At the heart of “Counterfeit” is a tale of love manipulated for selfish purposes, yet still feels captivating. Sadie Brown’s new single “Counterfeit” invites listeners into the deceptive lull of beautiful and bleak love, one that promises everything while lacking genuine vulnerability, ultimately delivering only heartbreak. Brown adeptly illustrates the anguish of being entangled in a romantic relationship that never fully reveals itself, leaving listeners caught between longing and the painful acknowledgment of reality. Through ethereal pop sensibilities and a bittersweet melody, Brown explores the complexity of a “counterfeit love life” alluring yet reserved, a love that’s perpetually poised to “cut its losses.” The outcome is a sonic experience that feels as vast and unreachable as a memory of love gone awry.
“Counterfeit” doesn’t just touch on the hurt that comes from unrequited love; it captures the quiet resignation accompanying it. With “Counterfeit,” Sadie Brown steps into a new creative direction in her music, mixing introspective storytelling with emotional resonance.
Written during the lockdown and produced by Cashybear (Tim Ross, formerly of Cash+David), “Counterfeit” builds a hazy, indie-pop atmosphere that feels grounded and otherworldly. The collaboration with guitarist Jimmy Sims (known for his work with George Ezra) lends a retro warmth, creating swirling riffs that complement Sadie’s soft yet piercing vocal delivery. This subtle instrumentation mirrors the song’s themes: a relationship built on false pretenses, with its sweetness fading away like mist.
Brown draws inspiration from artists like Camera Obscura, Kate Bush, and Lana Del Rey, bringing a charming and restrained sense of vulnerability. Like Joni Mitchell, Brown leans into the contradictions of love, evoking nostalgia but never retreating from the reality of unfulfilled desire. “Counterfeit” is a thought-provoking piece that establishes Sadie Brown as a voice that can authentically convey both the charm and the ache of illusion.
For more information about Sadie Brown, please visit [website].
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CONNECT WITH Sadie Brown | Instagram |
Indie
“Is Everything Okay?” by Tom Minor drops an anthemic vibe wrapped in a gold question
The newest single by Tom Minor, entitled “Is Everything Okay?” presents a compelling fusion of introspective lyrics and vibrant soundscapes, establishing a unique intersection where self-reflection meets the assertiveness of indie rock. The song commences with an almost casual inquiry, “If you are unhappy and you do not know it, what value does it possess?” This opening lyric serves as both a reflective mirror and a cautionary prompt; it suggests that well-meaning inquiries from others may compel listeners to confront uncomfortable truths they might prefer to overlook while seeking clarity within their complex emotions.
What renders “Is Everything Okay?” particularly noteworthy is Minor’s effective amalgamation of contemplative lyricism with a multifaceted, genre-defying composition. While indie rock sound with splashes of new wave and power pop have a discernible influence, the track ventures into unexpected realms of psychedelic music. Under the meticulous production of Teaboy Palmer, the song radiates the vitality of garage rock, simultaneously incorporating subtle elements of soul and R&B. The arrangement, characterized by vibrant guitar riffs and a fluid rhythmic structure, conveys the emotional depth of the message without appearing overly burdensome. Minor skillfully employs melody to construct an engaging groove that embodies optimism and challenge.
Additionally, Tom Minor’s vocal delivery demonstrates notable sincerity, reflecting his earnest intent to engage with the audience personally while allowing them space to process their emotional responses. By the conclusion of “Is Everything Okay?“, this work emerges as a significant addition to the contemporary musical landscape. It acts as a dialogue that invites contemplation of one’s current circumstances. The composition provides a form of sonic therapy that avoids offering simplistic solutions. This piece may represent Tom Minor’s most substantial achievement to date, as it fosters a more profound understanding among his audience.
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CONNECT WITH Tom Minor | Facebook |
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