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Lil Durk Charging $100K Per Show After Coronavirus

Artists are losing a lot of money during the global pandemic. Before the virus, touring was a huge source of income for artists. Now, they’ve had to resort almost solely on streaming and merchandise sales. 

People like DaBaby have already spoken out about how the lockdown has prevented him from earning millions of dollars. He even risked his life (and the lives of hundreds of fans) by putting on a live performance on July 4

Lil Durk
Prince Williams/Getty Images

Lil Durk is ready to get back on stage but, after all this time without any show money coming in, he’s only doing so for the right price.

Taking to Twitter, he announced his new fee for anybody trying to book him post-corona.

“I’m going up 100k a show when they say we can do em remember this tweet,” said the Chicago rapper. 

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Fresh off the deluxe release of Just Cause Y’all Waited 2, Durkio is raising his price and he wants everyone to keep track of his new amount. If you’re offering a dollar less than his asking price, you can expect a big no from him.

Do you think Durk is asking for too much or is his price spot-on? Would you book him for $100K?

[via]

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Artist Spotlight

Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.

Seun Kuti & Egypt 80

Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.

The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.

The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.

The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.

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Connect with Seun Kuti & Egypt 80 on Spotify || Instagram || Facebook || Youtube

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Artist Spotlight

Marsha Bartenetti reinvents in her own style “New York Minute”

Marsha Bartenetti

Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.

The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.

“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.

Connect with Marsha Bartenetti on Spotify || Facebook

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