Music
Lil Nas X And Jimmy Fallon Stage A Battle Between Naughty And Nice In ‘Santa Vs. Santa Nas X’
While Fallon is a more traditional Saint Nick, Nas’ twisted, tinsel Kris Kringle is a bit kinkier. …
Lil Nas X is really going all-in on his Santa Nas X persona. Last night, he brought his naughty Christmas character to The Tonight Show, where he and host Jimmy Fallon dueted for “Santa Vs. Santa Nas X.” While Fallon’s more traditional Saint Nick rhymes about candy and toys, Nas’ version is a bit more risque, putting more emphasis on the “ho ho hoes” and his designer outfit. A nice touch is how Fallon raps in a squeaky-clean old-school flow — meaning 1980s not early 2000s — while Nas peppers his verses with more contemporary flourishes and plenty of bleeped-out curse words.
“Santa Vs. Santa Nas X” builds on the momentum of Nas’ new single “Holiday” and its video, in which he plays a twisted, tinsel version of Kris Kringle in a factory churning out Lil Nas X-themed toys. He’s appeared as the alter ego for a couple of appearances, including the promo for Amazon’s Holiday Plays concert series where he gives Miley Cyrus advice, and on Ellen, where he answered questions about his celebrity crushes in the glittery getup.
Nas appears to be having a lot of fun playing this new character after seemingly exhausting himself of his cowboy-themed “Old Town Road” promo, but with the New Year right around the corner, this one’s got a built-in expiration date so he can avoid that problem this time around. Until then, enjoy Lil Nas X as Santa and keep looking forward to whatever outlandish thing he does next.
Watch the “Santa Vs. Santa Nas X” video above.
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Sadie Brown delivers a heartfelt illusion of a fake life with her new single “Counterfeit”
At the heart of “Counterfeit” is a tale of love manipulated for selfish purposes, yet still feels captivating. Sadie Brown’s new single “Counterfeit” invites listeners into the deceptive lull of beautiful and bleak love, one that promises everything while lacking genuine vulnerability, ultimately delivering only heartbreak. Brown adeptly illustrates the anguish of being entangled in a romantic relationship that never fully reveals itself, leaving listeners caught between longing and the painful acknowledgment of reality. Through ethereal pop sensibilities and a bittersweet melody, Brown explores the complexity of a “counterfeit love life” alluring yet reserved, a love that’s perpetually poised to “cut its losses.” The outcome is a sonic experience that feels as vast and unreachable as a memory of love gone awry.
“Counterfeit” doesn’t just touch on the hurt that comes from unrequited love; it captures the quiet resignation accompanying it. With “Counterfeit,” Sadie Brown steps into a new creative direction in her music, mixing introspective storytelling with emotional resonance.
Written during the lockdown and produced by Cashybear (Tim Ross, formerly of Cash+David), “Counterfeit” builds a hazy, indie-pop atmosphere that feels grounded and otherworldly. The collaboration with guitarist Jimmy Sims (known for his work with George Ezra) lends a retro warmth, creating swirling riffs that complement Sadie’s soft yet piercing vocal delivery. This subtle instrumentation mirrors the song’s themes: a relationship built on false pretenses, with its sweetness fading away like mist.
Brown draws inspiration from artists like Camera Obscura, Kate Bush, and Lana Del Rey, bringing a charming and restrained sense of vulnerability. Like Joni Mitchell, Brown leans into the contradictions of love, evoking nostalgia but never retreating from the reality of unfulfilled desire. “Counterfeit” is a thought-provoking piece that establishes Sadie Brown as a voice that can authentically convey both the charm and the ache of illusion.
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Indie
“Is Everything Okay?” by Tom Minor drops an anthemic vibe wrapped in a gold question
The newest single by Tom Minor, entitled “Is Everything Okay?” presents a compelling fusion of introspective lyrics and vibrant soundscapes, establishing a unique intersection where self-reflection meets the assertiveness of indie rock. The song commences with an almost casual inquiry, “If you are unhappy and you do not know it, what value does it possess?” This opening lyric serves as both a reflective mirror and a cautionary prompt; it suggests that well-meaning inquiries from others may compel listeners to confront uncomfortable truths they might prefer to overlook while seeking clarity within their complex emotions.
What renders “Is Everything Okay?” particularly noteworthy is Minor’s effective amalgamation of contemplative lyricism with a multifaceted, genre-defying composition. While indie rock sound with splashes of new wave and power pop have a discernible influence, the track ventures into unexpected realms of psychedelic music. Under the meticulous production of Teaboy Palmer, the song radiates the vitality of garage rock, simultaneously incorporating subtle elements of soul and R&B. The arrangement, characterized by vibrant guitar riffs and a fluid rhythmic structure, conveys the emotional depth of the message without appearing overly burdensome. Minor skillfully employs melody to construct an engaging groove that embodies optimism and challenge.
Additionally, Tom Minor’s vocal delivery demonstrates notable sincerity, reflecting his earnest intent to engage with the audience personally while allowing them space to process their emotional responses. By the conclusion of “Is Everything Okay?“, this work emerges as a significant addition to the contemporary musical landscape. It acts as a dialogue that invites contemplation of one’s current circumstances. The composition provides a form of sonic therapy that avoids offering simplistic solutions. This piece may represent Tom Minor’s most substantial achievement to date, as it fosters a more profound understanding among his audience.
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