Music
Lil Uzi Vert Teases Another Joint Project With Future And Says ‘I’m Out’ After Two More Albums
Getty Image Fans of the Philly rapper can expect him and Future to join forces once again for a second full-length project. …

After staying quiet for a couple of years, Lil Uzi Vert returned with plenty of music in 2020. In his latest offering, the rapper teamed up with Future for their joint project entitled Pluto X Baby Pluto. Over the album’s 16 songs, the duo kept things in-house, as the album arrived without a single guest appearance. However, less than a day after the project arrived, Lil Uzi took to Twitter to deliver both good and bad news.
Lil Uzi Vert announces he’s dropping 2 more albums then he’s done dropping music
pic.twitter.com/Ex1H3afmHx
— STRAPPED | Hip-Hop/Rap News (@STRAPPEDUS) November 14, 2020
Lil Uzi Vert says him and Future are about to drop new music again
pic.twitter.com/i9MayLxHOb
— STRAPPED | Hip-Hop/Rap News (@STRAPPEDUS) November 14, 2020
In the first of two tweets, the “Futsal Shuffle 2020” rapper revealed that he would retire from the rap game after his next two albums. “I’m dropping two more albums than I’m out,” Lil Uzi wrote in the tweet with a peace sign emoji. The Philly rapper deleted the post shortly after, but it’s unknown what caused him to tweet it in the first place. On the flip side, he also revealed that he and Future have another joint project on the way. “Crazy thing is me and @1future about to drop again,” he wrote.
Any additional information on the project is currently unknown, but if it were to arrive within the next few months, it would be Lil Uzi’s fourth official release in the span of a year, following Eternal Atake, its 14-track deluxe re-issue, and the Pluto X Baby Pluto project. As for Future, it would be his third album in a year, which began with his chart-topping album High Off Life.
Pluto X Baby Pluto is out now via Atlantic and Epic. Get it here.
Lil Uzi Vert is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
Artist Spotlight
“Subterranean Homesick Blues” finds a new direction through Ghost of Panama
Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.
This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.
“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.
Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.
Artist Spotlight
“NO MORE” by Amanda Holley connects healing, awakening, and survival
“NO MORE“ carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.
“NO MORE“ is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.
Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.
“NO MORE“ is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.
Photo Credit: Yulia Shusharina
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