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Lil Wayne Is Resurrecting His ‘No Ceilings’ Series With A New Mixtape This Week

‘The mixtape game seemed to be a dying art and since I’m one of the pioneers of the craft, I felt it was only right to…

The No Ceilings mixtapes are some of the most beloved musical events of Lil Wayne’s career. He’s dropped two volumes so far, in 2009 and 2015, and he decided to spend part of Thanksgiving dropping some big news: No Ceilings 3 is on the way, and it’s coming tomorrow (November 27). This comes after he announced the project, but not a release date, back in August.

Wayne told Complex of the project, “The mixtape game seemed to be a dying art and since I’m one of the pioneers of the craft, and it played such a big part in my career, I felt it was only right to resurrect it. Also, it’s a lot of songs out here I wanted to kill my way!”

This summer, Wayne showed some love to No Ceilings 2 by dropping a modified version of it on streaming services for the first time. It was significantly pared down from the original edition as it appeared on sites like DatPiff, though, as 21 tracks were pared down to just 12, decreasing the album length from 72 minutes to 45.

It’s not all good news for Wayne right now, though. It was revealed recently that he is currently facing up to 10 years in jail time over firearm possession charges. He also faced some backlash recently after showing support for Donald Trump in his re-election campaign.

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Artist Spotlight

“Days Like These” sees Matt Law turn college memories into a powerful rock anthem

Matt Law

Matt Law’s new single “Days Like These” is a breath of fresh air. The track is centered on the energy of summer memories, college friendships, and the thrill of making music with people who really believe in the moment, and it feels like a snapshot of youth at full volume.

Built on a rock foundation of melody and momentum, “Days Like These” is an uplifting rush from start to finish. The single, recorded with fellow students and collaborators at Riverside Music College, captures the excitement of a band finding its sound as it happens.

Matt Law displays himself as an artist with a good instinct for atmosphere and emotional connection. This song’s lively personality is boosted by drummer Taylor Whyte, bassist Alex Duncan, rhythm guitarist Kian Carrol, and lead guitarist Morgan Flanagan.

“Days Like These” is memorable for its ability to get at a universal feeling. It’s about those moments of freedom, uncertainty, and excitement that mark the early years of adulthood, and it still sounds fresh enough to resonate with people well beyond that. Matt Law’s effort is the first shot in the career of an artist who knows how to turn memories into anthems, giving us one perfect for open roads, late nights, and unforgettable summers.

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Album Review

Mary Knoblock’s “Peach” album is a tender journey through love, loss, and rebirth

Mary Knoblock

Mary Knoblock’s new album, “Peach,” is a deeply emotional and cinematic world of sound, blending Americana folk, neo-classical dream pop, and storytelling into something intimate. The album is nine songs and just under forty-six minutes, with the feeling of a performance where every scene holds tenderness, heartbreak, longing, and quiet transformation.

“Peach” is inspired by the idea of emotional rebirth and welcomes you with warmth and honesty. Each track is a tender clutch of textures, poetic emotion, and experimental beauty. Her voice and compositions are finely tuned for a strength that makes every moment intimate and alive.

“Mustang Clover” is a free, contemplative track, while “Metal Neon Sky” is a luminous, mysterious, and desirable emotional landscape. The title track, “Peach,” is warm, tender, and exposed, and in a deeply heartfelt way, captures the emotional heart of the album. “Mother’s Eyes” is a piece of emotional depth and memory, and one of the most intimate moments of the project. The album continues with the quiet emotional weight of lead single “I Knew You,” graceful and restrained, balancing love and loss.

“Of The Alpine” evokes a drifting, cinematic sense of lonely isolation that is beautiful and lonely. “Maybe Tomorrow” is a lively, ambiguous song, while “Peach – Blue Grass” is a reimagination of the emotional heart of the album from a more rootsy perspective. “Mustang Clover – Deluxe” continues the reflective spirit of the opening track and adds emotional texture. “Peach” reveals Mary Knoblock as an artist not afraid to expose truth through sound, emotion, and imagination.

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