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LL Cool J Tells Kanye West To “Piss In A Yeezy” Instead Of On Grammy Award
Many artists have had commentary on Kanye West over the years, but his recent antics have given LL Cool J pause. The hip hop legend hosted the Grammy Award show for five years, and while he agrees that The Recording Academy has much to work on, he doesn’t believe that Kanye West should have filmed himself peeing on his coveted award. LL spoke about the social media moment while appearing on Desus & Mero, and to say that he felt some type of way about Kanye’s video is an understatement.
“With all due respect, I think Kanye should just, you know…maybe he should just piss in a Yeezy or something instead of pissing on a Grammy. Piss in a pair of one them Yeezys, B,” said LL Cool J. “I felt some kind of way about that sh*t. I didn’t love that sh*t because I’ve hosted the Grammys for five years. The Grammys didn’t get everything right, but they didn’t get everything wrong, either.”
“I don’t understand this constant disrespect,” he added. “Look, now don’t get me wrong, there have been some foul things that have happened to some artists around the Grammys. They are not without flaws, don’t get me wrong. They are not perfect at all. I’ve seen things happen and I was like, damn. One year they invited [Jay-Z] down and I felt like he should have got some love and he got snubbed that year… But pissing in Grammys? Piss on one those space shoes, B… C’mon, man. What the f*ck is he doing?” Do you agree with LL?
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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”
François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.
François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.
The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.
“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.
Connect with François Marius on Spotify || Instagram || Facebook || Youtube || Twitter || Soundcloud
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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”
RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.
Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.
“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.
With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.
Connect with Morpheus von Dobenhausen on Spotify || Instagram || Facebook || Youtube || Tiktok
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