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Logic Calls Out Def Jam for Not Paying People Who Worked on His Retirement Album

Logic Says Def Jam is Refusing to Pay Lil Wayne for Feature Verse

In his retirement, Logic is still fighting against his label. The No Pressure rapper his Instagram to reveal that the label still has checks they need to cut and they are “fucking up” his personal relationships.

“@defjam can you please pay my friends and musicians that have made my albums great this is ridiculous at this point!” Logic wrote. “I shouldn’t be getting calls from close friends of mine in the middle of dinner with my Wife about how YOU haven’t paid them from the budget you’ve given me for this album.”

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Previously, Logic revealed that Lil Wayne had not been paid for his feature verse on the album. Sadly, the bills that need to be paid are still out.

You can see Logic’s post below.

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@defjam can you please pay my friends and musicians that have made my albums great this is ridiculous at this point! I shouldn’t be getting calls from close friends of mine in the middle of dinner with my Wife about how YOU haven’t paid them from the budget you’ve given me for this album. My boy 6ix ain’t been paid all his money! Like who produced the intro hasn’t been paid all his money! Kevin Randolph who the RattPack know as the voice of Kai who I’ve worked with for years hasn’t been paid his money!!!!!! Lil keke hasn’t been paid his money! AND MY DJ RHETORIK, AFTER I HIT YOU UP 2 MONTHS AGO TO PAY THIS MAN HE STILL HASN’T GOTTEN HIS MONEY. These are just the calls I’ve received I don’t even know who else of my friendships you’re fuckin up! This has got to be the 6th call I’ve received. You are ruining personal relationships here. This ain’t Noah my A&R this ain’t the core homies on the label that help me make my albums great. This is people deep in the company that I’ve never even met! Pay these people what is wrong with you! I pay all my Debts. This is not my debt to pay. these are friends but they are hired musicians and I demand you stop fucking up my personal relationships what is wrong with you. I’m not trying to start a war with my label. But at this point it is utterly unfair. I mean to this day besides an advance I have never seen a single cent in the 8 years I’ve been signed to this label. But I don’t care about that money. I just Want my homies paid. What’s going on here?!?! Y’all make me want to un retire and drop the last album I have under my contract just so I don’t have to deal with y’all no more man god damn! RattPack

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A post shared by Logic (@logic) on Oct 3, 2020 at 6:26pm PDT

The post Logic Calls Out Def Jam for Not Paying People Who Worked on His Retirement Album appeared first on The Source.

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Carmen Bryan’s Cryptic Post Stirs the Pot in Jay-Z Controversy

Jay-Z

The hip-hop industry currently faces substantial controversy as Jay-Z finds himself in the eye of a storm. Allegations of sexual assault stemming from a 2000 afterparty involving the illustrious rap mogul and disgraced music executive Diddy have ignited fierce public debate. While Jay-Z categorically denies the accusations and expresses his intent to contest the lawsuit, the court of public sentiment appears to have already rendered its verdict. Further complicating this turmoil is the involvement of Carmen Bryan, a name from Jay’s contentious history, which has added a chilling layer to the evolving situation.

Carmen Bryan, recognized for her decade-long affair with the Brooklyn rapper, recently took to Instagram with a cryptic yet pointed post. Although she refrained from naming anyone directly, Bryan suggested that loyalty often supersedes ethical morality in cases involving influential individuals. “These days, people don’t defend what is right; they defend who they like,” she wrote. Her parting shot, “And that’s why we call you a groupie,” felt like a verbal mic drop, leaving little doubt about who her words targeted.

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The intrigue didn’t stop there. Bryan shared a snapshot of Jay-Z’s lyrics from his 2010 track “Monster,” honing in on a particularly unsettling line: “Kill a block, I murder the avenues, I rape and pillage your village, women and children.” Though these lyrics were part of a more extensive metaphorical verse showcasing a “monster” persona, their resurfacing in this context feels calculated and ominous.

Bryan is no stranger to controversy, having previously aired her grievances toward Jay-Z. In her 2006 memoir, It’s No Secret: From Nas to Jay-Z, Seduction to Scandal, she detailed their affair and its tumultuous fallout. Additionally, she revealed in a 2017 interview that she had been pregnant with Jay-Z’s child, only to suffer a miscarriage. The relationship, fraught with personal and public conflict, remains a blemish on Jay-Z’s meticulously crafted, otherwise carefully curated narrative. Carmen Bryan’s multifaceted approach raises pertinent questions: Is she simply sharing her perspective on morality in the industry, or does she possess additional undisclosed knowledge?

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While the allegations against Jay-Z are still under legal evaluation, Bryan’s Instagram post has reignited another dimension to the complex and polarizing discussions about power dynamics, accountability, and the ethical responsibilities of those influential individuals in the spotlight. Her courageous decision to use Jay-Z’s lyrics against him paints a stark picture that forces fans and critics alike to reckon with the blurred lines between art and reality.

As the legal proceedings involving Jay-Z progress, the public remains split amid this developing saga. While Jay-Z’s peers have predominantly expressed skepticism toward the allegations, the enduring legacy of this iconic figure hangs in precarious balance, with shadows from the past casting long and potentially damning silhouettes.

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Jay-Z Engrossed in Fresh Allegations as Tony Buzbee Claims More Victims

Jay-Z

In a stunning twist to an already high-stakes legal dispute unfolding with the intensity of a Hollywood thriller, Jay-Z, one of music’s most preeminent figures, finds himself at the center of an explosive allegation involving minors. This drama stems from accusations brought forth by attorney Tony Buzbee and has escalated a conflict that began with a lawsuit over alleged extortion. Buzbee, who represents a woman accusing the music mogul of sexually assaulting her at the 2000 MTV VMAs afterparty, claims there are additional alleged victims, involving both male and female minors.

Jay-Z and his attorney, Alex Spiro, aren’t backing down. They have initiated a countersuit against Buzbee, vehemently denying the allegations and characterizing them as “entirely fabricated and malicious.” Spiro’s filing asserts that Buzbee’s accusations are part of a calculated scheme to tarnish the rapper’s reputation and coerce a settlement. “These baseless accusations are nothing more than a weapon in a calculated plot,” Spiro stated, doubling down on their stance that the allegations are devoid of any factual basis.

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The case took another dramatic turn when the woman Buzbee represents amended her lawsuit against Diddy to include Jay-Z. The timing of the amendment and the salacious nature of the claims have fueled a media frenzy, leaving the hip-hop icon fighting a battle both in the courtroom and in the court of public opinion.

Late Sunday, Jay-Z fired back with a defiant statement on X (formerly Twitter). “What he had calculated was the nature of these allegations and the public scrutiny would make me want to settle,” he wrote. “No sir, it had the opposite effect! It made me want to expose you for the fraud you are in a VERY public fashion. So no, I will not give you ONE RED PENNY!!”

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This case is now racing against the clock, with Jay-Z’s legal representatives seeking an emergency hearing to address the allegations. Their urgency stems from the relentless media coverage, which poses a substantial risk to the Roc Nation founder’s reputation. This matter extends beyond a mere legal confrontation; it encompasses significant implications beyond the courtroom, a fight for his legacy.

The stakes are exceptionally high. Legal counsel Buzbee hints at the potential existence of additional alleged victims, thereby intensifying the spotlight scrutiny placed on both parties involved. With careers, reputations, and justice on the line, this legal showdown is poised to become a critical juncture within the music and entertainment industry. For fans and observers alike, the unfolding circumstances prompt inquiries regarding the veracity of the claims and the tactical weaponization of reputation in the court of public discourse.

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