Music
Luh Kel Takes Us Behind The Scenes Of His Music Video ‘Feen’ Featuring Trippie Redd
The rising R&B start gives insight behind the meaning of his latest visual. …
Luh Kel dropped his album L.O.V.E. back in October and ahead of its release the rising R&B star invited Uproxx for an exclusive behind the scene peek at the making of his music video for “Feen” featuring Trippie Redd.
The set I arrived at was located in one of Hollywood’s elusive canyons where it was cold, windy, dusty, with a spread of million-dollar cars on the lot. When I got there, Trippie was shooting his part in the cave, lit by a crackling fire. While Trippie shot his part of the visual, I sat with Luh Kel, who was on day three of the shoot, and he told me more about the creation of “Feen.”
“The meaning of the song is just feigning about a girl when she not around you and you want her around,” he told me in between shots. “I got Trippie Redd on it. I felt like it matched his vibe so we sent him the song. He got on it. Sent it back and we started shooting the video. This is my biggest budget video. I’m flying in the air and getting captured by a gust of wind with a bunch of video effects.”
@uproxx is luh kel’s song feen a vibe or what? #vibecheck
Directed by Matt Zoley, “Feen” finds Luh Kel dehydrated in the middle of the desert, yearning for his love and reminiscing about the good times before being appeased with a flowing of water that turns into a clear homage to Busta Rhymes’ music video “What’s It Gonna Be?!” Kel and the woman he’s been desiring then ride off in a shiny Lamborghini to a dark cave where Trippie lets off his verse over a warm wood fire while surrounded by angels.
“I recorded it with Scott Storch. He made the beat,” he added. “We was in the studio in February and now it’s October. Trippie just sent the verse last month.”
Luh Kel’s album L.O.V.E. also features additional production from Scott Storch and the 18-year-old musician says he’s just trying to “bring love back into the world” with the project.
Watch Luh Kel’s music video for “Feen” featuring Trippie Redd above.
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Sadie Brown delivers a heartfelt illusion of a fake life with her new single “Counterfeit”
At the heart of “Counterfeit” is a tale of love manipulated for selfish purposes, yet still feels captivating. Sadie Brown’s new single “Counterfeit” invites listeners into the deceptive lull of beautiful and bleak love, one that promises everything while lacking genuine vulnerability, ultimately delivering only heartbreak. Brown adeptly illustrates the anguish of being entangled in a romantic relationship that never fully reveals itself, leaving listeners caught between longing and the painful acknowledgment of reality. Through ethereal pop sensibilities and a bittersweet melody, Brown explores the complexity of a “counterfeit love life” alluring yet reserved, a love that’s perpetually poised to “cut its losses.” The outcome is a sonic experience that feels as vast and unreachable as a memory of love gone awry.
“Counterfeit” doesn’t just touch on the hurt that comes from unrequited love; it captures the quiet resignation accompanying it. With “Counterfeit,” Sadie Brown steps into a new creative direction in her music, mixing introspective storytelling with emotional resonance.
Written during the lockdown and produced by Cashybear (Tim Ross, formerly of Cash+David), “Counterfeit” builds a hazy, indie-pop atmosphere that feels grounded and otherworldly. The collaboration with guitarist Jimmy Sims (known for his work with George Ezra) lends a retro warmth, creating swirling riffs that complement Sadie’s soft yet piercing vocal delivery. This subtle instrumentation mirrors the song’s themes: a relationship built on false pretenses, with its sweetness fading away like mist.
Brown draws inspiration from artists like Camera Obscura, Kate Bush, and Lana Del Rey, bringing a charming and restrained sense of vulnerability. Like Joni Mitchell, Brown leans into the contradictions of love, evoking nostalgia but never retreating from the reality of unfulfilled desire. “Counterfeit” is a thought-provoking piece that establishes Sadie Brown as a voice that can authentically convey both the charm and the ache of illusion.
For more information about Sadie Brown, please visit [website].
CLICK HERE TO STREAM Sadie Brown’s “Counterfeit“ on Spotify.
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“Is Everything Okay?” by Tom Minor drops an anthemic vibe wrapped in a gold question
The newest single by Tom Minor, entitled “Is Everything Okay?” presents a compelling fusion of introspective lyrics and vibrant soundscapes, establishing a unique intersection where self-reflection meets the assertiveness of indie rock. The song commences with an almost casual inquiry, “If you are unhappy and you do not know it, what value does it possess?” This opening lyric serves as both a reflective mirror and a cautionary prompt; it suggests that well-meaning inquiries from others may compel listeners to confront uncomfortable truths they might prefer to overlook while seeking clarity within their complex emotions.
What renders “Is Everything Okay?” particularly noteworthy is Minor’s effective amalgamation of contemplative lyricism with a multifaceted, genre-defying composition. While indie rock sound with splashes of new wave and power pop have a discernible influence, the track ventures into unexpected realms of psychedelic music. Under the meticulous production of Teaboy Palmer, the song radiates the vitality of garage rock, simultaneously incorporating subtle elements of soul and R&B. The arrangement, characterized by vibrant guitar riffs and a fluid rhythmic structure, conveys the emotional depth of the message without appearing overly burdensome. Minor skillfully employs melody to construct an engaging groove that embodies optimism and challenge.
Additionally, Tom Minor’s vocal delivery demonstrates notable sincerity, reflecting his earnest intent to engage with the audience personally while allowing them space to process their emotional responses. By the conclusion of “Is Everything Okay?“, this work emerges as a significant addition to the contemporary musical landscape. It acts as a dialogue that invites contemplation of one’s current circumstances. The composition provides a form of sonic therapy that avoids offering simplistic solutions. This piece may represent Tom Minor’s most substantial achievement to date, as it fosters a more profound understanding among his audience.
CLICK HERE TO STREAM Tom Minor’s “Is Everything Okay?“ on Spotify.
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