Artist Spotlight
M.A.G.S. RETURNS WITH EUPHORIC SINGLE “BEG”
M.A.G.S. RETURNS WITH EUPHORIC SINGLE “BEG”
Following the success of dream-pop banger “Choked Out,” indie artist M.A.G.S. is back with a new music video for his latest summer release, “Beg.” The track and supporting music video comes in celebration of his newly-announced debut LP, Say Things That Matter, out August 13th via ONErpm. The highly anticipated full-length project is considered the mark of personal growth in multi-instrumentalist and producer Elliott Douglas (M.A.G.S.), and will feature a total of fourteen tracks – including the latest string of retro indie-rock inspired singles; “Smile,” “Sunrise,” “Choked Out” and “Beg.” To coincide with the full-length release, vinyl copies will be available for pre-order through Take This To Heart Records today.
“Beg,” written and produced by Douglas, is a crowning achievement of the rising indie rock artist – showcasing a range of depth and growth since 2017’s self-titled release. The single ─ simply put ─ is indie-pop with an experimental twist: erupting into a euphoric celebration of emotions with brash guitar work and M.A.G.S. skating alongside the busy streets of Los Angeles. While the track pays homage to M.A.G.S.’ DIY punk roots and newfound confidence sonically ─ lyrically, the track was born from a transitional time in M.A.G.S.’ life leading to the eruption of the COVID-19 pandemic:
“I wrote Beg while I was in Buffalo visiting my family in January 2020. At this point in my life I was actively trying to change myself and face some of my demons. I could see the results of my efforts but I was still healing from a few old wounds. I didn’t really know what was next, figuratively and literally with the pandemic about to kick in the door.
I love this song because every part is kind of its own thing, and they kinda shouldn’t work well together but somehow, they do. I wanted the dynamics of this song to be part of the narrative, with the bridge basically just being an explosion of rage and passion.” – M.A.G.S.
M.A.G.S. is the solo moniker for Buffalo-bred, Los Angeles-based artist Elliott Douglas. His style seamlessly glides between genres ─ from funky garage to minty alt-pop ─ and hooks you in almost immediately. His universal appeal feeds his success, and it’s never at the expense of his art. Elsewhere in his blossoming catalog, songs like “Mvp” and “Hi Tops” zig-zag from visceral, gnarly heavy metal to lo-fi folk-rock, respectively; his musicianship is a marvel to witness, each entry building on the last with refreshing acrobatics.
M.A.G.S. released his first solo record in 2015, an EP titled Cellophane, and his self-titled LP arrived two years later – securing a seat amongst the most prominent indie/alt-rock artists. With his new batch of music, Douglas displayed marked growth in vocal prowess, overall musicality and lyrical bite through the release of 2020’s Lost Tapes EP.
In May, M.A.G.S. announced he will be embarking on The Happy Fits’ “What Could Be Better” U.S. tour alongside snarls this Fall – tickets are available for purchase through the artist’s official website here.
M.A.G.S.’ debut album, Say Things That Matter, is set to release August 13th with leading singles “Smile.” “Sunrise,” “Choked Out” and “Beg” available for streaming everywhere. Watch the “Beg” music video on M.A.G.S. official YouTube Channel here, and pre-order Say Things That Matter in three different vinyl color variants via Take This To Heart Records here.
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Artist Spotlight
The trapheaux gracefully glides over in new release “Marble Floors”
Trapheauxly’s latest release, “Marble Floors,” is a smooth, seductive single that combines clean, complex rap verses with melodic R&B. The song’s production, soulful vocal harmonies, and steady rhythmic pulse create a luxurious yet emotionally grounded atmosphere. All of these elements work together to create this atmosphere.
The most impressive aspect of it is the way it shifts from a catchy melodic hook to a rapid-fire delivery of the lyrics. One moment, “Marble Floors” is silky smooth, and the next, it is razor sharp. This contrast is what gives the musical its identity.
When it comes to lyrical concerns of intimacy, devotion, and elevated aesthetics, the image of marble floors appears, time and time again, as a symbol of elegance and emotional weight. Trapheauxly is a polished package that combines style, substance, and value that cannot be denied in terms of replay value.
Connect with Trapheauxly on Spotify || Instagram || Soundcloud
Artist Spotlight
NIHLNØTHING unleashes increased tides on new release “ocean” Power
NIHLNØTHING’s latest release, “Ocean” is a powerful, immersive single that defies classification as heavy music. The track sounds huge, punishing, and emotionally complex, as the title promises, drawing on post-metal, alternative metal, sludge, groove metal, metalcore, and deathcore.
A sense of depth makes “ocean” appealing. The song balances atmosphere and intensity like a violent current under calm waters. This track has towering sonic weight and textured melodic darkness, suggesting it can go from hypnotic tension to explosive release in a heartbeat.
Genre DNA enables NIHLNØTHING to create something expansive. It has sludge, groove, metalcore urgency, and a post-metal mood that’s probably more than aggression. NIHLNØTHING excels in contrasting crushing weight with atmosphere, chaos with control, and brutality with reflection. Balance distinguishes loud from powerful music.
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