Artist Spotlight
Maddy Low ignites an honest reverie with her newest release, “To Be Near”
At just 18 years old, the New Zealand singer-songwriter Maddy Low presents her mesmerizing new single “To Be Near,” a work that expertly blends timeless aesthetic, marked by its sincerity and striking sense of intimacy. Released under Timeless Records, “To Be Near” unfolds with a meticulously crafted arrangement that features gentle acoustic guitar, soft harmonies, and intricately interwoven strings, earning attention naturally without demanding it. This composition surpasses conventional indie folk; it encapsulates the tense yet intimate moment before a first kiss, where hesitation dissolves into deep emotional yearning, deftly illustrating the tension between uncertainty and surrender.
Lyrically, Maddy explores the delicate nuances of unexpected love, which often manifests during serendipitous, unforeseen moments. Her lyrics articulate an intensely personal yet nearly universal experience of recognizing a profound emotional connection, highlighted by the line “Now I get what they all meant,” which serves as a poignant reflection of such feelings. The impact of this lyric, amplified by the raw emotion that permeates every note, hits like a truth one didn’t know was needed until it is sung back to them.
Her vocal execution is refreshingly organic, drawing comparisons to early Clairo and a gentler iteration of Lucy Dacus while firmly establishing her distinctive identity. There exists an unrefined elegance in her narrative style that belies her age, adding an extra layer of genuine nature to her vulnerability.
Building on her previous acclaimed work within cinematic soundtracks and the playful charm of her earlier release, “Games,” “To Be Near” signals a significant evolution in her artistry. The single embodies a profound introspection that emphasizes the value of genuine emotional experience over mere performance prowess. It stands as a subtle yet impactful achievement, setting the stage for her upcoming headline concert at Big Fan in Auckland. This track encapsulates a poised restraint that resonates well beyond its final notes, inviting listeners to slow down and engage with their emotions amidst a chaotic world.
CLICK HERE TO STREAM Emerald Bluffs’ “To Be Near“ on Spotify.
CONNECT WITH Emerald Bluffs | Instagram | TikTok |
Artist Spotlight
Loris Tils delivers a dazzling, jazzy, groove bomb on latest release “Mustache Pete”
Loris Tils’s new single, “Mustache Pete,” is an upbeat instrumental that feels more like a full musical experience than just a song. The track takes listeners to a thrilling place where Jazz culture, Funk attitude, and high-energy Disco all come together. “Mustache Pete” is all about the groove. The beats are tight, the basslines are catchy, and the music tells stories in a fun way. Its Jazz roots are undeniably classy, and they are perfectly balanced by the raw power of Funk and the constant push of Disco. The result is a song that alternates between polished sophistication and lively dancefloor energy, keeping listeners engaged throughout.
What makes “Mustache Pete” stand out is its character. It sounds like the instruments are talking to each other, giving and taking style, confidence, and charm with each note. The groove is short, but it leaves a lasting impression that makes you want to hear the song again right away. This instrumental music evokes vivid scenes and feelings without using words.
Loris Tils is a master of rhythm and texture, creating a soundscape that is both fresh and classic. “Mustache Pete” not only pays tribute to classic influences, but it also brings them back to life with modern energy and artistic skill. If you like jazz, Funk, disco, or just good music, you have to listen to this song. Loris Tils makes a bold and colorful statement with “Mustache Pete,” a groove that knows no language. It is a song that makes you want to dance, makes you happy, and makes you want to hear it again. It is an instrumental piece that stays with you long after the last note fades away.
Connect with Loris Tils on Spotify || Instagram || Soundcloud || Facebook
Artist Spotlight
AZSH rises through the storm with an unstoppable spirit in latest release “On My Way”
AZSH (pronounced “Ash”), a Miami-based dance pop soul artist, has a new single called “On My Way” that’s a declaration of strength rather than a typical song. Using her unique “Miami Pop” style, AZSH combines sultry vocals, emotional honesty, and cutting-edge production to create a moving song that speaks to people who feel let down, unsure, or as if their dreams have been put on hold. “On My Way,” is a reflective anthem with a smooth 110 BPM groove. Centered on resilience and personal evolution, it’s a soundtrack for the in-between moments perfect for listeners moving forward with purpose.
“On My Way” is all about not giving up. It captures the emotional weight of disappointment, getting through hard days, and the will to keep going no matter what. AZSH is honest about problems and turns them into strength, using each setback as a reason to grow. The song shows a quiet confidence that grows over time. It shows that change doesn’t happen all at once, it takes time, belief, and inner strength.
The track sound fits with AZSH’s artistic style. Her voice is warm and expressive, flowing perfectly over a smooth, soulful, and uplifting production. The music conveys a sense of movement, which aligns with the themes of progress and moving forward. This song works just as well when you’re alone, thinking about things, as it does when you’re listening to an uplifting playlist to improve your mood.
“On My Way” is an important part of AZSH’s growing story as an artist and storyteller. It represents freedom, change, and happiness, not as ideas, but as real things that come from hard work and determination. In “On My Way,” AZSH shows that being strong doesn’t mean failing, it means being able to bounce back after each failure. This song is for people who know they haven’t reached their goal yet but are sure they are making progress toward it.
Connect with Azsh on Spotify
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