Music
Matteo (Chinese Man) – Last General feat. KT Gorique
Matteo (Chinese Man) – Last General feat. KT Gorique
“Last General” Track Info:
Artist – Matteo
Feat. – KT Gorique
Released Date – Feb 18, 2022.
Matteo aka (Chinese Man) comes together with KT Gorique to make the ultimate jam that will keep you moving with the new song “Last General”. The production grabs the listener in, as soon as you hit play with a major supreme sound coming out of your speakers that you won’t be able to get enough of. The music doesn’t stop marveling there, as the vocal performance is big-time enough to handle the weight placed on it with the appeal shining through and met with an incredible verse from KT Gorique, to deliver this smash perfectly on this incredible record that doesn’t miss.
With the EP “Home”, Matteo (from Chinese Man) experiences the duality between a feeling of confinement and creativity experienced during this period. A journey in six tracks with electronic and hip-hop sounds that begins with a chill/hip-hop track to continue with pieces alternately electro, hip-hop, or more marked trap, including the feat “Last General” with the Swiss rapper KT Gorique.
Listen to Matteo (Chinese Man) – Last General feat. KT Gorique
Artist Spotlight
“Subterranean Homesick Blues” finds a new direction through Ghost of Panama
Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.
This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.
“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.
Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.
Artist Spotlight
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“NO MORE“ carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.
“NO MORE“ is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.
Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.
“NO MORE“ is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.
Photo Credit: Yulia Shusharina
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