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Matthew Pinder Reflects On Inner Conflict In Smooth New Single “Used To Say”

Bahamian indie-folk artist Matthew Pinder follows up on his previous release, “Cascade,” with a groovy new single, “Used To Say,” out October 8. As the second teaser to his upcoming project, Pinder displays yet another layer of his musically rich artistry. “Used To Say” recounts Pinder’s experience as he grapples with the discomfort of experiencing change, but not embracing it; the artist opens up about feeling stuck through a time of darkness and isolation. Pinder delivers a tender, yet haunting display of how difficult it can be to live through the growing pains of change.

Introduced by deeply reverberant keys and a decadent bossa nova groove, this track mesmerizes listeners from the start. Pinder’s buttery vocals seamlessly weave between bright acoustic guitar and float atop creative acoustic percussion. Pinder collaborated with Bahamian producer/engineer Sherwood Rahming for a vivid sonic journey masterfully builds from spritely instrumentation to a full-bodied, orchestral soundscape embellished with a punchy electronic beat.

Matthew Pinder is a Bahamian singer-songwriter who has established a quintessential sound within the indie-folk space over the last few years. Pinder often sings from his own experiences allowing his music to leave an “indelible mark on indie-folk music” (B-Sides & Badlands). First gaining recognition for his viral hit single “Golden Hour” – still one of his most popular releases today with over 2 million streams – he soon followed with the release of the full-length album, Give Me Some Time which was hailed as “Pinder’s magnum opus: a debut so rich and extravagantly heart-rending and deeply-crushing” (B-Sides & Badlands). Soon after, Pinder took a break from music to focus on his mental health until he was ready to begin on his next project, set to release later this fall. Working with local studio engineer/producer Sherwood Rahming and past collaborators Mitch Webb and Sara Davis Regan, Pinder is eager to make music “fun” again by making it with people and friends along the way. Nonetheless, fans can still expect his modern flair with the influences of classic singer-songwriters and present-day artists, all melded into a sound completely his own.

Artist Spotlight

Dirty Hands Nation sings don’t follow blindly, do your research with latest release “Due Deligence”

Dirty Hands Nation

Dirty Hands Nation comes out swinging with a strong message on “Due Diligence,” a daring single that harnesses frustration, awareness, and determination in a bold musical statement. It is more than a song; it is a call to question narratives, challenge assumptions, and think critically about the systems that shape everyday life.

“Due Diligence” is a phrase that encapsulates a philosophy that you should only stand up for what matters after consideration and research. The track itself is guided by the title in its entirety. Dirty Hands Nation emphasizes that conviction is not about going along with the crowd, and encourages its audience to dig deeper into matters before deciding.

Where the song works best is in its direct engagement with politics and economics. It raises questions of war, government spending, inflation, corporate power, health care, and the financial burden on regular people. The track talks about these issues, not as abstract ideas, but from the point of view of regular people who are most affected by these decisions.

Dirty Hands Nation delivers a passionate, thought-provoking release with purpose and conviction in “Due Diligence.” It’s a track that’s meant to spark conversation, challenge complacency, and remind us that opinions of consequence are built on inquiry, understanding, and due diligence.

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Artist Spotlight

Red Eye Wright unveils an eye-opener with spotlight verses on latest release “Alicia Keynote”

Red Eye Wright

Red Eye Wright drops his newest single, “Alicia Keynote,” with confidence and conviction, a song that is built upon lyrical sharpness, memorable punchlines, and a vocal presence that will not be overlooked. This song is filled with rap lines that display both ambition and personality, and it sounds like a proclamation from an artist who is eager to leave his mark.

“Alicia Keynote” lives from its relentless energy and wordplay from the first moments. Red Eye Wright’s vocal texture is one of the strongest assets on the track, he carries each line with a kind of authority and character that lends itself naturally to a rapper who’s concerned with making every bar count. His delivery is assured, not forced, letting the lyrics take centre stage.

“You don’t know it, but you’re going to know my name. It’s a line that sums up the song’s spirit in a nutshell, a combination of self-belief, determination, and hunger. The lyric feels less like a boast and more like a mission statement, a window for listeners into the mind that powered the record.

Another good line is “who’s to say what’s the right way to say anything when music goes over your head like say anything,” which shows the creative thinking behind the writing. It demonstrates Red Eye Wright’s love of playing with language, challenging expectations, and generating moments that reward the attentive listener.

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Red Eye Wright delivers a statement piece in “Alicia Keynote” that’s packed with memorable bars, distinctive vocal character, and unrelenting ambition. It’s the sound of an artist introducing himself with conviction, and keeping his name in the conversation.

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