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Artist Spotlight

Meet Trill Bans: The 19-Year-Old Platinum Producer from San Diego

Trill Bans

Trill Bans, born Marko Cervantes, is a platinum Billboard charting music producer from San Diego, CA. He started producing when he was 16 years old in his junior year of high school, creating beats whenever he can, even going as far as ditching school just to get more time on the laptop.

Today the 19-year-old has worked on the production with many of today’s Hip Hop stars such as Lil Durk, Young Thug, Babyface Ray, and Rylo Rodriguez as well as has made waves in the Florida scene working on numerous records with Hotboii. In the year 2022, He has had his biggest record to date “Computer Murderers.” a single which was added to Lil Durk’s 7220 projects and peaked at #1 on the Billboard top 200 as well as the single itself peaking at #61 on the Billboard Hot 100. Trill Bans has been in music studios all across the country, working in Miami with Hotboii, YNW Bslime, and Slatt Zy, as well as has been seen in Los Angeles, making music with producers such as Bighead.

Trill has also worked on the production side on many songs he has with Hotboii such as “They Don’t Know” as well as “Dream” which are 2 out of many released songs that the world has heard of them together. The credits don’t end there, which also produced for Babyface Ray on his debut album FACE, which debuted at #31 on the Billboard top 200, co-producing “Same Pain” with Hoodrich Keem and 48hours.

One of the most impressive aspects of Trill Bans is his huge following on Tik Tok which has over 25,000 followers and over a million likes, creating content in the music production niche such as advice for upcoming music producers as well as behind the scenes of music studio sessions. Trill has shown that he has the potential to create hits and the determination to win through his records so there is more the world has to see from him.

Watch the latest studio vlog below:

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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