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Megan The Stallion And Doja Cat Bring The Bars To Remix Ariana Grande’s ’34+35′

Grande has left fans overflowing with excitement for the remix after she announced it and kept the features from fans. …

Back in October, Ariana Grande returned for the third consecutive year with a new album. Her sixth full-length effort, Positions, was well-received by critics and adored by her supporters thanks to tracks like “Positions” and “34+35.” More than three months after fans received it, Ariana returns with a thrilling gift: a remix of “34+35” with Megan Thee Stallion and Doja Cat. Fans of the trio spent the last 24 hours eagerly waiting for the song to arrive after the singer began teasing the remix on Thursday. Luckily for them, the three artists fulfilled all expectations of the song. Doja supplies a verse that seeks to make her new lover forget about their girl by spending the night and “69 without the Tekashi,” while Megan gets herself ready for a steamy night and makes sure to flaunt her physical qualities in the process.

Ariana first announced the remix with a video that showed three unidentifiable silhouettes. This caused fans to throw out a number of possibilities for who would appear on the track. Names like Chloe x Halle and Nicki Minaj in addition to Megan and Doja came up. After a day of guessing games, the singer unveiled Megan and Doja as the two artists on the remix.

If you’re want to hear more collaboration between the trio, Doja previously teased collaborations with Megan and Ariana for her upcoming third album which fans can expect to arrive at some point this year.

You can listen to the remix in the video above.

Positions is out now via Republic.

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Megan Thee Stallion is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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