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Megan The Stallion Tries To Explain Why Sexy Rappers Get Criticized So Much

Megan also reveals what’s on her Christmas list and her New Year’s resolutions for 2021. …

Ever since breaking out in 2019 with her song “Big Ole Freak” (really late 2018, but it took a while to gain steam), Megan Thee Stallion has been both a sex symbol and a lightning rod for criticism about the unapologetically sexy image and lyrics. In a new interview with GQ about, among other things, the backlash against Cardi B and Megan’s runaway hit “WAP,” the Houston Hottie takes a stab at explaining why so many people — both men and women — are bothered by female rappers owning their sexuality.

“Some people just don’t know what to do when a woman is in control and taking ownership of her own body,” Meg hypothesizes. “I feel like for a long time men felt like they owned sex and now women are saying, ‘Hey, this is for me. I want pleasure. This is how I want it or don’t want it,’ it freaks men the hell out. It just comes from a place of fear and insecurity, like why would anyone be mad about my WAP? It belongs to me.” She certainly has a point and while even GQ’s author Jonathan Heaf has a touch of trouble in the story with his very young daughter asking what a “WAP” is, Heaf also shows dodging such questions is just as easy as changing your Spotify password.

Elsewhere in the interview, Megan reveals her favorite Christmas song (Mariah Carey’s “All I Want For Christmas Is You,” naturally), her New Year’s resolutions for 2021 (“Eating healthy and maintaining my skincare regime”), and the main thing on her Christmas list, other than world peace and justice for all. “My wish would be for young women everywhere to have equal access to education and to know that they are amazing, valuable, and can accomplish whatever they put their minds to. I want all my hotties to know their power and be confident in themselves.”

You can check out the full interview here.

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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