Connect with us

Story

Megan Thee Stallion Speaks On Being Labeled The “Bad Guy”

Megan Thee Stallion went from being one of the most beloved rising rappers in the game to one of the most disrespected.

This week, she spoke about her “#ProtectBlackWomen” message, penning an op-ed for the New York Times and addressing the shooting involving Tory Lanez

I was recently the victim of an act of violence by a man. After a party, I was shot twice as I walked away from him,” she said. “We were not in a relationship. Truthfully, I was shocked that I ended up in that place. My initial silence about what happened was out of fear for myself and my friends. Even as a victim, I have been met with skepticism and judgment. The way people have publicly questioned and debated whether I played a role in my own violent assault proves that my fears about discussing what happened were, unfortunately, warranted.”

Regardless of the importance of the message, people fail to look past the woman delivering it, with a wide portion of the internet painting Megan as the “bad guy”. Although she did not choose to get shot, or to have her alleged shooter ignore her trauma for months, only to release an album profiting on the situation, Megan has been pegged the bad guy with theories going around about what people think actually happened that night. 

Today, she addressed that narrative on Twitter.

Advertisement

“People wish I was the ‘bad guy’ so bad it’s weird,” observed Megan, before retweeting a fan who said that there’s no reason for her to be painted in a negative light.

It’s not a secret that people are still backing Tory Lanez. If you’re unclear on that, just look at Megan’s comments on Instagram and you’ll see the blatant disrespect toward her.

This week, more theories began flying after Kehlani, who has stuck her neck out for Meg in the past, unfollowed the rapper on Instagram. She later explained that it was because she’s starting her social media pages from fresh, deleting everyone.

Advertisement
Advertisement

Story

François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

Advertisement

“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

Connect with François Marius on Spotify || Instagram || Facebook || Youtube || Twitter || Soundcloud

Continue Reading

Story

RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

Morpheus von Dobenhausen

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

Advertisement

Connect with Morpheus von Dobenhausen on Spotify || Instagram || Facebook || Youtube || Tiktok

Continue Reading

Video Of The Week

Trending