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Megan Thee Stallion’s Ex-BFF Kelsey Nicole Is Ready To Clear Her Name

In what has probably been the most Kelsey Nicole has said about the July shooting incident, Megan Thee Stallion’s [ex] best friend shared a few thoughts on Instagram Live today (October 30). Kelsey was at the scene when Megan was injured in the Hollywood Hills, and while the rapper has come forward to name Tory Lanez as her assailant, Kelsey has remained relatively quiet about her version of events. Tory has vehemently denied hurting Megan and said he still thinks of her as a friend, and because he has stated he isn’t responsible for the shooting, people have pointed their fingers Kelsey’s way.

Kelsey Nicole has also said that she is innocent, so the mystery surrounding what happened that fateful evening remains unclear. Tory Lanez has been hit with charges in connection with the event and as fans await his fate, Kelsey shared that she’ll be giving her side of the story soon. “Obviously I don’t have a team behind me, it’s just me. It’s just Kelsey Nicole,” she said in the video. “They got teams, they got Roc Nation. I don’t know who Tory got, but he got a team. Clearly, these are two celebrities so if I speak out different sh*t—of course, they’re going to spin the stories.”

“And this is really just the beginning. It’s still court dates going on,” Kelsey continued. “So this is really something that… I don’t feel like I have to come on here and just tell y’all right away. I don’t owe nobody nothing. But what I will do, I will be clearing my name. I will be, you know, killing some of them rumors. Most of them damn rumors.”

She wouldn’t give up exact information, but Kelsey revealed that she’s “contemplating” giving an interview that “will cover some of the misconceptions or most of the misconceptions.” Check out a clip of Kelsey’s Instagram Live below.

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Artist Spotlight

Billy Chuck Da Goat finds his flow on new release “Vibez”

Billy Chuck Da Goat’s latest release, “Vibez,” has a laid-back, hypnotic bounce that makes it easy to listen to without ever feeling empty. It makes a place where calmness and quiet confidence come together.

“Vibez” was made on purpose, but it also sounds simple. Billy Chuck’s smooth delivery flows through the production without rushing or pushing anything. Instead, he lets the rhythm breathe, allowing people to get into the song at their own pace. This laid-back energy is the best part of the song, nothing feels forced, which is exactly what it’s trying to do.

The track changes to fit whatever you need it for, like a late-night drive, a focused workout, or a way to unwind after a long day. It has a quiet edge of confidence, it’s not loud or bragging, but it’s steady and sure of itself.

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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