Music
Mimi Pretend Redefines Heartbreak with Unapologetic New Single, ‘Guys in LA’
Mimi Pretend, the talented singer-songwriter known for her emotionally charged music, unveils her latest single, “Guys in LA.” The track is a part of her upcoming album, “Sick Eros,” which is a chronicle of love, heartbreak, and self-discovery. Mixed and mastered by Chris Ostler of Black Honey, this collaboration has resulted in an exceptional piece of art that reflects Mimi’s personal and musical growth.
Mimi Pretend’s journey with Chris Ostler began during the pandemic, where they connected over Skype, allowing Ostler to guide Mimi through the intricacies of mixing and producing her music. This partnership has played a significant role in shaping her sound and allowing her to explore new depths in her artistry.
“Guys in LA” diverges from Mimi Pretend’s usual exploration of the aches and pains of love, as she ventures into uncharted territory. The song is a testament to her time at the California Institute of the Arts (CalArts), which challenged her to write in ways that were foreign to her, ultimately leading to the creation of her alternate persona, Mimi.
The single is a perfect amalgamation of Mimi’s experiences, inspirations, and newfound writing techniques. It retains the soundscapes and textures that accompany sadness, while introducing a refreshing and uplifting melody that captures the essence of happiness. The track follows the adventures of the other Mimi, with a backdrop of old cars, haunted mansion pools, foggy beaches, bourbon, cloves, and a unique blend of southwestern gothic, LA noir, and grunge aesthetics.
“Guys in LA” is a vivid representation of Mimi Pretend’s growth as an artist, both personally and musically. The song showcases her versatility, as she breaks away from the role she once created for herself – the girl who wallowed in self-pity and couldn’t save herself. This single signifies a transformation and a rebirth, as Mimi Pretend embraces the complexity of emotions and experiences in life.
Artist Spotlight
Mamas Gun and Brian Jackson shines light on the truth on latest release “DIG!”
Mamas Gun makes a strong comeback with their new single “DIG!.” The track sounds more like a strong statement of intent than just a release. The UK band is known for its smooth blend of blue-eyed soul and traditional black music. They show once again that they can make music that sounds both thoughtful and very new, while still being real, emotional, and sophisticated.
“DIG!” was recorded directly onto analogue tape, and every note has warmth, grit, and soul. The production choice gives the music a rich, natural sound that complements the band’s unique groove. It is a piece of music that makes people slow down, really listen, and experience it rather than hear it.
Adding famous collaborator Brian Jackson, whose vocals, keyboard, and flute give the song a timeless elegance, adds even more depth and magic. Jackson is known for working with artists such as Stevie Wonder, Gil Scott-Heron, Roy Ayers, and Earth, Wind & Fire. His addition makes the song something truly special. His reunion with Andy Platts, the lead singer of Mamas Gun, almost twenty years after they first worked together creatively in New York, gives “DIG!” a very personal touch that can be felt throughout. “DIG!” sets a strong mood based on connection, art, and essence. Mamas Gun not only goes back to their roots but also makes them stronger. This song is heartfelt, timeless, and completely captivating.
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Artist Spotlight
Bromsen crafts a suspension between attachment and release in new single “Concendrain”
Bromsen’s latest release, “Concendrain,” is very immersive and lives in the space between control and disintegration. The song smoothly shifts from focused to tired, from connected to free, and captures a complex emotional balance that is both personal and universal.
“Concendrain” starts slowly and carefully, the structure has layers that change over time, so each part can come out on its own without any stress or hurry. As time goes on, electronic textures begin to emerge, giving the music a mood that eventually turns into rock-infused energy. These different sounds don’t clash, they work together to create a track that is alive, fluid, and always changing.
The guitar, voice, and rhythm should all work together on the song. These parts don’t compete for attention; instead, they work together to make a smooth flow that pulls the listener into the song’s emotional depth. The arrangement features vocals that complement complex guitar lines and a steady beat that keeps everything in line.
“Concendrain” is really interesting because it has two sides. The track is about the fight in your head between giving up and pushing through, and between staying focused and giving in to tiredness. Bromsen and Reatsch work together to make something that looks natural and well-made. “Concendrain” doesn’t try to be cool or follow trends. Instead, it gives you a slow experience that you should really pay attention to. “Concendrain” is a powerful and thought-provoking work that sticks with you long after the last note has faded away. It stands out because its structure changes, its atmosphere is rich, and its emotions are strong.
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