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Minna LaFortune produces a global groove with “Weekend Vibes”

Honk Magazine

Minna LaFortune is here to provide the soundtrack to your freedom with “Weekend Vibes,” a celebration of rhythm and release. This track wastes no time asking for permission, it takes you by the hand and says let your inhibitions hit the floor. “Weekend Vibes” is a sonic passport. LaFortune has created a groove that’s impossible to resist and would be at home in the sun-drenched Jamaican streets of Kingston, as it would be of the dancefloors of Lagos or Johannesburg.

Marrying reggae’s soul-soothing sway, Amapiano’s deep log drums, dancehall’s inimitable bounce, and Afrobeat’s rhythmic skill, the blend of sounds on this track is genuinely the sound of the world colliding. Every note is purposeful but unfettered. The percussion and the open melodic layers give rise to a magnetic pull, making it impossible not to dance. Whether you’re chilling after a long week or dancing with friends under neon lights, “Weekend Vibes” gets you. His voice skirts over the rhythm with an effortless grace, each line delivered with a suave, carefree cool that suits the song’s message entirely.

No over-complication is neccessary here, this is feel-good music done right. It’s charged energy in a track that knows no borders or genres. It’s notable how universal “Weekend Vibes” is. It’s a party of joyfulness that doesn’t require translation. LaFortune taps into a universal human rhythm, the rhythm that connects us through the time and space of dance and the rhythm that connects us through the act of letting go. Minna LaFortune is making moments. With “Weekend Vibes,” she brings a vibe, a wave, and a cosmetic that says no matter where we’re from, we own the weekend.

Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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