Artist Spotlight
Mitchell Broodley creates the perfect love story becomes imperfect “Where I wanna be Different”
Mitchell Broodley delves into heartfelt territory on “Different’s Where I Wanna Be,” a country-pop duet with Brittany Ray that questions the idea that love has to fit into a perfect mold. Centered on the idea that perfection is in the eye of the beholder, this song provides a new and refreshing take on contemporary relationships, championing authenticity over superficiality and real chemistry over fantasy.
Broodley and Ray have an effortless chemistry that lends emotional heft to the song, making a simple concept feel deeply resonant. Their voices blend so seamlessly that you can almost hear a real conversation between two people who have chosen to be honest with each other rather than succumb to peer pressure.
What makes “Different’s Where I Wanna Be” special is that it is dedicated to the celebration of individualism. But not all love is perfect, and the song recognizes that every relationship has its own rhythm. It says that the most important thing is to find someone who loves you for who you are, not who the world expects you to be.
At its heart, “Different’s Where I Wanna Be” is an ode to choosing love that feels true. Mitchell Broodley and Brittany Ray serve as a reminder that happiness is often found outside of the norm and that celebrating what makes a relationship unique can be its greatest strength. It’s a lovely, touching release that finds beauty in the imperfect and shows that sometimes being different is right where you’re supposed to be.
Connect with Mitchell Broodley on Spotify || Instagram || Soundcloud
Artist Spotlight
Keesha Blair offers a family legacy that has no price on latest release “The Inheritance”
In “The Inheritance,” Keesha Blair gives us a very human view of wealth that can’t be measured in dollars. The song is a meditation on the idea that some gifts are all the more precious with every blessing to another life, forging a reflective link between family, memory, and what is passed from one generation to the next. What touches one most is the sense that a heritage of priceless value is still flowing on.
The song’s story starts with Grandma’s passing and the lucidity it provided. And then Mama caught the same ancestral current and drove the idea home that each generation builds on the last. The song is not about inheritance in the sense of material things, but of intangible bequests that still affect lives.
The lush vocals are warm and friendly, with a clean production that emphasizes the main idea of ‘The Inheritance.’ There’s a thread of thankfulness that weaves its way through the song, especially in the thoughts of the continuation of families and the value of things that can’t be measured on a balance sheet. Keesha Blair transforms a very personal matter into a celebration of the enduring value of what one generation can give to the next.
Connect with Keesha Blair on Spotify || Instagram || Facebook || Youtube
Artist Spotlight
Séhkou brings endurance and spiritual rebirth into focus with latest release “John 11:38-44 (Lazarus)”
“John 11:38–44 (Lazarus)” opens with a cool hi-hat, thick kick, bass and lush synths from Séhkou, providing an atmospheric base that’s grounded from the jump. This is a gritty hip hop song rooted in scripture about perseverance, change and being called out of seasons that felt like the end. The Lazarus connection gives the story a unique spiritual heart but the message still feels timely.
The song’s refrain is “He kept goin’… not knowin’…” and is the core of the song and the theme of perseverance and providence. Séhkou does not narrate the biblical story, but rather employs its themes as a way of talking about survival and spiritual rebirth. The production gives the record room to breathe and the female vocals in the background provide another layer to the arrangement.
The album has an emotional punch, with the soulful vocals of Jamila Thompson offset by the gritty hip-hop base. That’s the balance of rhythm and soulful vocal presence and subject matter rooted in scripture that gives “John 11:38-44 (Lazarus)” its character. “It’s a song about moving on even if you don’t know where you’re going.”
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