Music
Morgan Wallen Revisited The Maskless Party That Got Him Removed From ‘SNL’ Earlier This Year
The country singer was dropped as the musical guest in October over violating COVID-19 protocols and thanked the show for a second chance. …
Morgan Wallen was set to make his debut on Saturday Night Live back in October, but a careless decision from the country singer caused him to lose that slot because he violated NBC’s coronavirus protocols. A news report from Tuscaloosa, AL showed Wallen at a maskless party in Alabama and videos on Instagram and TikTok found the singer drinking and making out with maskless partygoers after a Crimson Tide football game at Bryant-Denny Stadium.
It resulted in him getting dropped and replaced by Jack White for the October 10 episode. Less than two months later, Wallen made his return to the SNL stage, but not without addressing the party in a skit.
Joined by Jason Bateman and Bowen Yang, Morgan Wallen takes viewers back to the October “party.” The singer is first met by Bateman, who arrived via time machine and plays Wallen from one month in the future. A few minutes later, Yang steps out of the time machine and announces that he is also Wallen, but from two months in the future. Both of the future Wallens warn the country singer of the repercussions he should expect as a result of his attendance at the party, but Bateman and Yang end up ignoring their own warnings and quickly seek out some drinks to enjoy the rest of the night. Luckily, present-day Wallen sees the wrong in his actions and opts to turn the situation into a song of reconciliation.
“It’s hard to focus on the future/When the present’s full of girls/But if all you do is kiss all day, you’ll miss out on the world,” he sings. “So let’s all raise a glass up/And I thank you in advance/For giving this poor Southern boy a second yankee chance.”
In addition to the skit, Wallen also performed “7 Summers” and “Still Goin Down,” which will both appear on his upcoming 2021 album, Dangerous: The Double Album.
You can watch the skit and his performances in the videos above.
Dangerous: The Double Album is out 1/8. Pre-order it here.
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Sadie Brown delivers a heartfelt illusion of a fake life with her new single “Counterfeit”
At the heart of “Counterfeit” is a tale of love manipulated for selfish purposes, yet still feels captivating. Sadie Brown’s new single “Counterfeit” invites listeners into the deceptive lull of beautiful and bleak love, one that promises everything while lacking genuine vulnerability, ultimately delivering only heartbreak. Brown adeptly illustrates the anguish of being entangled in a romantic relationship that never fully reveals itself, leaving listeners caught between longing and the painful acknowledgment of reality. Through ethereal pop sensibilities and a bittersweet melody, Brown explores the complexity of a “counterfeit love life” alluring yet reserved, a love that’s perpetually poised to “cut its losses.” The outcome is a sonic experience that feels as vast and unreachable as a memory of love gone awry.
“Counterfeit” doesn’t just touch on the hurt that comes from unrequited love; it captures the quiet resignation accompanying it. With “Counterfeit,” Sadie Brown steps into a new creative direction in her music, mixing introspective storytelling with emotional resonance.
Written during the lockdown and produced by Cashybear (Tim Ross, formerly of Cash+David), “Counterfeit” builds a hazy, indie-pop atmosphere that feels grounded and otherworldly. The collaboration with guitarist Jimmy Sims (known for his work with George Ezra) lends a retro warmth, creating swirling riffs that complement Sadie’s soft yet piercing vocal delivery. This subtle instrumentation mirrors the song’s themes: a relationship built on false pretenses, with its sweetness fading away like mist.
Brown draws inspiration from artists like Camera Obscura, Kate Bush, and Lana Del Rey, bringing a charming and restrained sense of vulnerability. Like Joni Mitchell, Brown leans into the contradictions of love, evoking nostalgia but never retreating from the reality of unfulfilled desire. “Counterfeit” is a thought-provoking piece that establishes Sadie Brown as a voice that can authentically convey both the charm and the ache of illusion.
For more information about Sadie Brown, please visit [website].
CLICK HERE TO STREAM Sadie Brown’s “Counterfeit“ on Spotify.
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Indie
“Is Everything Okay?” by Tom Minor drops an anthemic vibe wrapped in a gold question
The newest single by Tom Minor, entitled “Is Everything Okay?” presents a compelling fusion of introspective lyrics and vibrant soundscapes, establishing a unique intersection where self-reflection meets the assertiveness of indie rock. The song commences with an almost casual inquiry, “If you are unhappy and you do not know it, what value does it possess?” This opening lyric serves as both a reflective mirror and a cautionary prompt; it suggests that well-meaning inquiries from others may compel listeners to confront uncomfortable truths they might prefer to overlook while seeking clarity within their complex emotions.
What renders “Is Everything Okay?” particularly noteworthy is Minor’s effective amalgamation of contemplative lyricism with a multifaceted, genre-defying composition. While indie rock sound with splashes of new wave and power pop have a discernible influence, the track ventures into unexpected realms of psychedelic music. Under the meticulous production of Teaboy Palmer, the song radiates the vitality of garage rock, simultaneously incorporating subtle elements of soul and R&B. The arrangement, characterized by vibrant guitar riffs and a fluid rhythmic structure, conveys the emotional depth of the message without appearing overly burdensome. Minor skillfully employs melody to construct an engaging groove that embodies optimism and challenge.
Additionally, Tom Minor’s vocal delivery demonstrates notable sincerity, reflecting his earnest intent to engage with the audience personally while allowing them space to process their emotional responses. By the conclusion of “Is Everything Okay?“, this work emerges as a significant addition to the contemporary musical landscape. It acts as a dialogue that invites contemplation of one’s current circumstances. The composition provides a form of sonic therapy that avoids offering simplistic solutions. This piece may represent Tom Minor’s most substantial achievement to date, as it fosters a more profound understanding among his audience.
CLICK HERE TO STREAM Tom Minor’s “Is Everything Okay?“ on Spotify.
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