Music
Morgan Wallen Revisited The Maskless Party That Got Him Removed From ‘SNL’ Earlier This Year
The country singer was dropped as the musical guest in October over violating COVID-19 protocols and thanked the show for a second chance. …

Morgan Wallen was set to make his debut on Saturday Night Live back in October, but a careless decision from the country singer caused him to lose that slot because he violated NBC’s coronavirus protocols. A news report from Tuscaloosa, AL showed Wallen at a maskless party in Alabama and videos on Instagram and TikTok found the singer drinking and making out with maskless partygoers after a Crimson Tide football game at Bryant-Denny Stadium.
It resulted in him getting dropped and replaced by Jack White for the October 10 episode. Less than two months later, Wallen made his return to the SNL stage, but not without addressing the party in a skit.
Joined by Jason Bateman and Bowen Yang, Morgan Wallen takes viewers back to the October “party.” The singer is first met by Bateman, who arrived via time machine and plays Wallen from one month in the future. A few minutes later, Yang steps out of the time machine and announces that he is also Wallen, but from two months in the future. Both of the future Wallens warn the country singer of the repercussions he should expect as a result of his attendance at the party, but Bateman and Yang end up ignoring their own warnings and quickly seek out some drinks to enjoy the rest of the night. Luckily, present-day Wallen sees the wrong in his actions and opts to turn the situation into a song of reconciliation.
“It’s hard to focus on the future/When the present’s full of girls/But if all you do is kiss all day, you’ll miss out on the world,” he sings. “So let’s all raise a glass up/And I thank you in advance/For giving this poor Southern boy a second yankee chance.”
In addition to the skit, Wallen also performed “7 Summers” and “Still Goin Down,” which will both appear on his upcoming 2021 album, Dangerous: The Double Album.
You can watch the skit and his performances in the videos above.
Dangerous: The Double Album is out 1/8. Pre-order it here.
Artist Spotlight
D. Edge drops irresistible new single “GO T.S.F.G.”

D. Edge is back with a bang! With his latest release, “GO T.S.F.G.,” the dynamic artist continues to impress with a catchy melody, infectious rhythm, and a living and breathing sound evolution that gives us plenty of reasons to keep an ear out. This track proves how D. Edge is a rising force in the new music scene, presenting a perfect balance of addictive beats with outstanding vocal flow.
The music has a driving energy but a laid-back feel, allowing the track to breathe and groove effortlessly. The hypnotic cadence of the melody keeps listeners moving and numbers vibrating at the same time. It’s a perfect demonstration of how D. Edge understands how to combine energy with ease, making every moment feel seamless and effortless.
But this is not only about the beat. But what makes “GO T.S.F.G.” stand out is D. Edge’s flawless melodic flow. His delivery rides effortlessly over the instrumental, carving every phrase easily and in style. It’s a performance with a sense of freedom throughout a single song. His voice hits sweet, almost ethereal notes and confident, nearly commanding ones, and he captures in his notes every turn.
Regarding lyrics, it sounds like an invitation to a unique sonic experience. MDOT D. Edge provides an atmosphere for the audience to jump into the unexplored world of the track, breaking free of the everyday to lose themselves in the soundscape truly. The song title, “GO T.S.F.G.,” raises a question, adding to the song’s allure as fans ponder its meaning.
This is an incredible song, and if you have been listening to his music for years or if you’re thinking about listening to it for the first time, Go T.S.F is a must. It highlights the evolution of someone like D. Edge. With this release, he has cemented himself as an artist to follow in the constantly changing music landscape.
Artist Spotlight
Peter Wilson breathes melody into Utah Phillips’ legacy with haunting new single “Old Man”

“Old Man,” Peter Wilson’s newest song, is a raw intergenerational dialogue steeped in empathy and aching humanity. Written in collaboration with the now-deceased Utah Phillips, a legendary folk musician known as the “Golden Voice of the Great Southwest,” this song presents a moving narration through the eyes of someone society too often neglects.
With lyrics by Phillips and music by Wilson, “Old Man” unites two poets in time. The effect is a gorgeously stripped-down folk ballad that comes across less like a performance than a moment of authentic listening, like a man on a park bench finally telling you the truth about his life, and you can’t help but lean in. Wilson’s acoustic music is spare and stark, letting the story do the heavy lifting. Every chord sounds intentional, as if he’s allowing room for the words to breathe, not speeding them up, just allowing them to speak. His tone is steady and gentle, almost reverent, echoing and channeling the spirit of Phillips’ storytelling. Every note carries the respect you can hear.
However, what makes “Old Man” land so much harder is its unvarnished honesty. There’s no fancy version of homelessness here. No over-dramatization or overproduction. Just quiet, contemplative music that puts you in someone else’s frayed shoes. It’s the kind of song rarely written, inviting you to rest momentarily contemplate. The track feels timeless, rooted in classic folk, and has fresh emotional resonance. It resonates with today’s audience as incisively as it may have decades ago, reminding us that tales like this still play out on every street corner daily.
By combining Utah Phillips’ words with his musical setting, Peter Wilson has created more than a song. He’s made a vessel for compassion, memory, and our oneness as humans. “Old Man” has no interest in working for your attention. It quietly earns it.
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