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Nicki Minaj Joins Sada Baby On Remix To “Whole Lotta Choppas”

She’s been silent for weeks, but Nicki Minaj was tending to more important responsibilities than keeping up with fans at the moment. The new mother welcomed her first child with her husband Kenneth Petty, a son, and just hours before she told the world that she’d given birth to a “liddo boy,” Nicki Minaj revealed that she’d hopped on the remix to Sada Baby’s viral hit, “Whole Lotta Choppas.” The Detroit rapper’s updated version of his single was praised by fellow Motown emcee Big Sean along with the Barbz who are more than excited to hear Nicki’s first collaboration since becoming a mother.

Sada Baby’s “Whole Lotta Choppas” has taken over TikTok as the single has garnered its own dance, so it’s expected that this remix will reignite the hype surrounding the track. Take a listen to Nicki’s addition to “Whole Lotta Choppas” and let us know if you’re vibing with this version.

Quotable Lyrics

Lil’ n*gga can’t keep my p*ssy out his hands
F*cked her last minute, gotta book me in advance
Been a bad girl, and I’m tryna get spanked
Pretty lil’ body, but my face look stank

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Artist Spotlight

Billy Chuck Da Goat finds his flow on new release “Vibez”

Billy Chuck Da Goat’s latest release, “Vibez,” has a laid-back, hypnotic bounce that makes it easy to listen to without ever feeling empty. It makes a place where calmness and quiet confidence come together.

“Vibez” was made on purpose, but it also sounds simple. Billy Chuck’s smooth delivery flows through the production without rushing or pushing anything. Instead, he lets the rhythm breathe, allowing people to get into the song at their own pace. This laid-back energy is the best part of the song, nothing feels forced, which is exactly what it’s trying to do.

The track changes to fit whatever you need it for, like a late-night drive, a focused workout, or a way to unwind after a long day. It has a quiet edge of confidence, it’s not loud or bragging, but it’s steady and sure of itself.

Connect with Billy Chuck Da Goat on Spotify || Instagram || Facebook || Youtube

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

Connect with François Marius on Spotify || Instagram || Facebook || Youtube || Twitter || Soundcloud