Album Review
OF LIMBO Conjures A Modern Hard Rock Classic With “California Demon”
If and when your friends tell you that hard rock is dead, steer them in the direction of this band. OF LIMBO will prove them wrong. Fast.
Led by brothers Jake and Luke Davies, OF LIMBO’s new single “California Demon” satisfies every conceivable requirement for a modern hard rock classic. It’s a slab of molten riffage married with well-orchestrated lighter sections whose union never comes off as forced. I’m a fan of how they balance the dynamics of this song to maximum effect because it shows confidence beyond their years. I came away from this performance convinced that, as much as they show us, I believe they are capable of even more.
The vocals show the same elasticity and confidence. They discharge moments of low-key drama and screaming heights of passion with equal skill. It’s a song that realizes the full potential of its subject matter. Resist the temptation to roll your eyes hearing another hard rock song about making a deal with the devil. Instead, take a listen. OF LIMBO may be treading the path of a timeless story, but they do it with flair and decisiveness that reclaims the subject as their own.
The production flexes impressive muscle. Luke Davies’ guitar attack sounds well-nigh unstoppable and even the transitions between beat your over-the-head riffing and nuanced passages are scorching. All of this is possible thanks to a rock-solid rhythm section that plays hard enough to rattle your sternum. They know how to build a convincing hard rock track from the ground up and the results are masterful.
It doesn’t mess around either. If you are expecting or dreading some lengthy tune showing off pseudo-virtuosity, sweep your concerns aside. OF LIMBO can play, there’s no question of that, but their first instinct is to serve the song and it serves them well. “California Demon” is all killer, no filler, and wrapping these often thunderous proceedings up in less than four minutes suits the song well.
The video is a perfect fit for the track. It’s obvious that the band and their collaborators put a great deal of thought into the video, rather than making some slapdash performance clip. It highlights the band’s physical interaction with the music as well as offering complementary scenes that further illuminate the song. They’ve enlisted the right actors to help convey the song’s story but thankfully never belabor it with pretentious attempts to shoehorn a narrative around the music. They let the song, for the most part, speak for itself.
It’s arguably OF LIMBO’s best single yet. The band’s steady ascent from indie act to marquee-level mainstream hard rock band is happening without compromise or diluting their music. OF LIMBO is arriving on their own terms. “California Demon” provides ample evidence for that and practically crackles with the promise of even greater triumphs to come. This is a band that attacks each new song as if it’s their first and they have something to prove. Give this song a chance and they’ll prove to you that they are one of the best hard rock bands working today.
Christian Gardenhire
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Album Review
“Big Colored Lights” EP Premier by Katie Curley delivers a sonic snow globe of heartfelt holiday memories
Brooklyn-based singer-songwriter Katie Curley brings a fresh glow to the holiday season with her new EP, “Big Colored Lights.” This spellbinding collection comprises seven original tracks that seamlessly integrate Curley’s honky-tonk personal sensibilities with sophisticated sonic artistry, characterized by her gift for evocative storytelling. Recorded at Cowboy Technical Services under the skillful production expertise of Eric “Roscoe” Ambel (known for his work with Sarah Borges and the Bottle Rockets), the EP is a testament to Curley’s decade-long commitment to creating one Christmas-inspired song yearly. The resultant work offers a kaleidoscope of nostalgia, resilience, and the transformative power of music that extends beyond conventional holiday cheer.
“Big Colored Lights” invites listeners on an emotional odyssey, commencing with the poignant opener, “Christmastime Therapy,” which artfully navigates the bittersweet realities of family gatherings complemented by Curley’s crystalline vocals. The expressive piano work accompaniment by Rob Clores sets the stage for a heartfelt meditation on holiday complexities.
Subsequently, the soulful track “Closing In On December“ follows, featuring Mark Spencer’s pedal steel, which infuses the song with a timeless warmth. Meanwhile, the title track, “Big Colored Lights,” paints a vivid tribute to Curley’s childhood memories of her grandfather’s dazzling holiday decorations in the woods of Washington.
Curley’s versatility is evident in “A Very Texas Christmas,” a modern take on classic holiday melodies that blends emotive guitar strumming with rhythmic piano chords. “Extra Happy Holidays“ delivers a buoyant exploration of new relationships, celebrating the optimism intrinsic to joyful festivities.
Infusing a touch of country flair, “Shotgun Wedding In Bethlehem“ reimagines the nativity narrative, enhanced by the gorgeous angelic harmonies from fellow artists Drina Seay and Shanelle Jenkins. The EP closes on a high note with “New Year’s Too,” a soul-stirring duet with powerhouse vocalist Lizzie Edwards that profoundly impacts the listener.
Katie Curley’s “Big Colored Lights” transcends the limitations of typical holiday tunes, offering deep reflections on shifting landscapes, cherished traditions, and the unyielding pursuit of light in life’s darker moments. Supported by her core band, including her husband Brendan Curley on guitar, Max Newland on bass, and Kenny Soule on drums, the EP resonates with authenticity and warmth. This EP is essential listening for those seeking revelatory holiday charm with meaningful and uplifting music that promises to light up the heart and soul. Set to become a treasured addition to festive playlists, “Big Colored Lights” solidifies Katie Curley’s emerging status as an enchanting voice within Brooklyn’s music scene.
For more information about Katie Curley, please visit [website].
CLICK HERE TO STREAM Katie Curley’s EP “Big Colored Lights“ on Spotify.
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Album Review
Gitkin unveils an afro-latin blues with sonic psychedelia in his recent Album “Golden Age”
The undisputed king of modern cumbia and master of genre fusion, Brian J. Gitkin, unveils his latest 10-track masterpiece, “Golden Age,” released under Wonderwheel Recordings. This wordless sonic adventure transcends borders, featuring a guest appearance by multi-instrumentalist and producer Assaf Spector, delivering thrilling depths of Afro-Latin, desert rock, and blues with heavy doses of psychedelia. Rooted in the musical heartbeat of New Orleans, “Golden Age” offers a mesmerizing exploration of culture, rhythm, and electric guitar brilliance. This primarily instrumental experience enthralls audiences from start to finish.
Gitkin, a New Orleans-based multi-instrumentalist, channels the rhythmic soul of the Crescent City through the hypnotic twang of his signature Silvertone guitar. The album commences with the dynamic title track, “High Noon,” setting the tone for its adventurous spirit, a far-reaching sound exploration. Fans are treated to a dazzling mix of intoxicating African and Latin American influences, spiced with the desert rock of Mali and the electrified chicha style of Peru.
The second track, “Cumbia-ya,” exudes celebration with its infectious beats as the album continues to break boundaries with “Delta Mystic,” along with “Iced Coffee” and “Go Time,” the 5th composition featuring the expertise of Simon Moushabeck on the keyboard and Washington Duke on drums, which seamlessly blends jazz, funk, and Afro-American Mardi Gras roots into a jubilant groove.
Subsequently, “The One,” the eighth track, presents a hypnotic blend of classic Sudanese influences, Tuareg-style guitars, and Black Sabbath-inspired heaviness. The composition is propelled forward by a Giorgio Moroder-esque bassline, combining ’70s disco energy with soulful guitar motifs, showcasing Gitkin’s versatility and fearless approach to creating fresh, boundary-pushing music. The album’s standout track, “Tall Oaks Drive,” takes listeners on a cosmic ride with its psychedelic sitar riffs and melodic cinematic atmosphere reminiscent of a vintage spy thriller. The album concludes with the soul-stirring final track, “Golden Age,” providing a sense of closure and triumph.
Throughout “Golden Age,” Gitkin’s guitar melodies convey stories without words, evoking emotions of contemplation, joy, and spiritual upliftment. His ability to weave together global sounds with New Orleans’ rich musical heritage establishes him as a visionary in the global music scene. This album is essential for fans seeking adventurous, deeply reflective, and genre-defying sonic experiences.
For more information about Gitkin, please visit [website].
CLICK HERE TO STREAM Gitkin’s Album “Golden Age“ on Spotify.
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