Artist Spotlight

Our Violet Room Emerges as Cinematic Folk Singer-Songwriter With New Single “Winter”

Burgeoning Denver artist Our Violet Room – aka Matthew Birch – has released his highly anticipated single “Winter”. “Winter” is set to be featured on Season 3 Episode 17 of the popular FreeForm show Good Trouble, airing only a few days after the single release on August 25. Writing about the seasons and the changes they bring with them, Birch compares the seasons of nature to the changing seasons that inevitably come with a relationship. The metaphor digs deeper as the lyrics describe trying to hold on to something that is slipping away…. which for Birch was his marriage. Featuring Emma Cole from Wildermiss, “Winter” haunts listeners with breathy lyrics against a driving acoustic guitar – something that is quickly becoming Birch’s signature sound. “Winter” is the first tease to a larger release from Birch coming later in 2021.

A deep love of movie scores and the composers that made them alongside an admiration and passion for folk music is the base of the music that Birch creates under the moniker Our Violet Room. An “indie singer-songwriter with a cinematic twist”, Birch got his musical start in 2018 by playing SoFar Sound shows – first in Denver but soon all over the world. A humble story of overcoming depression, working hard, and diving headfirst into his dream, Birch only has one goal…. to make thoughtful, well-made, emotional art that inspires his listeners and causes them to feel. His music has been compared to the likes of Sufjan Stevens, Bon Iver, Bob Dylan, Peter Gabriel, and Coldplay for its lush atmosphere, emotional lyrics, and cinematic arrangements and has quickly launched his music career with two songs featured on FreeForm’s Good Trouble series and two songs featured in a Magnolia feature film. “Making movie scores has been a dream of mine and to look at each song as a little movie score has been a great way of creating,” says Birch. Thus far in his career, Birch has released two EPs – Our Violet Room and the live EP Loss and Death in Winter – alongside a handful of singles. Mixing folk and cinematic soundscapes seem to be working for the emerging artist as his songs have a combined 37K+ streams. “ I don’t go for cool or hip, I go for what moves me.”

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Artist Spotlight

“Hell has frozen over” finds Sarina choosing peace over being understood

Sarina’s new track, “Hell has frozen over,” explores the less dramatic, more complicated moment of reaching the end of the road, being gaslit, ignored, rejected, and painfully lonely. It translates the emotional burnout into a rock-pop context that’s easy to understand.

“Hell has frozen over” focuses on the decision to step away, instead of explaining, defending, or seeking understanding from people who refuse to listen. The rock foundation gives it the right weight, the pop influence makes it accessible, and the focus stays on the emotional message.

Sarina’s art is the struggle of loss and being strong in yourself. It’s about understanding that protecting your peace is more important than being understood. And that’s the emotional balance that gives the release its character so that the subject matter has relevance beyond a particular circumstance.

“Hell has frozen over“ is a relief from the burden of carrying on a debate that will never be resolved. Sarina turns an experience of isolation into a statement about boundaries, resilience, and the choice not to get caught in the same cycle. The result is a record that’s at its best when it’s being true to what it feels like to finally be free from whatever has been holding you down.

Photo Credit: Andrea Hunter

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Artist Spotlight

Girlhood finds summer warmth and quiet freedom on “Lemon Aid”

“Lemon Aid“ is a warm indie-pop ballad from Girlhood that finds comfort in the ordinary and weaves in a sense of release. This song is about surrendering to the moment, finding space to breathe, and letting a little lightness back in. This reflective core is surprising, given the warm summer-night feel of the track, hinting at a moment of emotional rebalancing.

Singer-songwriter Natalie Holmes has a tender personality and fronts the slow-burning “Lemon Aid.” The production supports that softness, keeping the song’s gentle mood and intimate direction front and center. Beneath the comfort is a thoughtful examination of pressure, transition, and the need to pause.

The song’s link to the streets of Stroud offers yet another layer of art to the work. Familiar places can mean something when life feels uncertain, and the emotional scene involves storefronts, parks, cafes, and leafy, winding streets. “Lemon Aid“ searches for beauty in everyday places and rituals, finding still moments that mean something without getting carried away.

The track is the first release of Girlhood’s forthcoming album, “This Will Make Sense In The End,” a more reflective chapter with hope at its heart. “Lemon Aid” is about softness, conjuring a space where dancing, wandering, and just existing can feel like a cure. It’s an unleashing of small observations and soft emotional movement and a clear indication of the thoughtful direction that Girlhood is heading next.

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