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Artist Spotlight

PAENDA unleashes a mesmerizing anthem of self-worth in her recent single, “Good To Myself”

PAENDA

Austrian singer-songwriter and producer PAENDA returns this time, making it crystal clear self-love comes first. Her latest single, “Good To Myself,” is a vibrant, no-nonsense anthem that rejects toxicity in favor of empowerment, all wrapped up in a euphoric EDM-pop framework that embodies emotional resilience.

From the outset, PAENDA immerses listeners in a meticulously crafted soundscape filled with pulsating synth patterns and shimmering melodies, creating an energetic atmosphere for her unapologetic assertion of self-worth. The production quality is sleek yet electrifying, giving off infectious vibes that demands to be blasted at full volume. Lyrically, she delivers a salient message that’s as relatable as it is liberating: prioritizing one’s well-being over toxic relationships is framed not as selfishness but as a necessary stance for personal health and empowerment.

PAENDA’s vocals radiate with strength and vulnerability, effortlessly integrating the song’s confident aesthetic with its emotional underpinnings. Her delivery possesses a raw honesty, making it impossible not to feel every word. Fans of her previous hit, ‘Up and Down,’ will likely to appreciate her artistic evolution within the pop and EDM genres while recognizing her commitment to bold narratives and fearless storytelling.

Released via Sick Kick Records, “Good To Myself” is set to become a staple in Valentine’s Day playlists, resonating with anyone advocating personal independence. Whether experienced in dancing alone or celebrating with friends, PAENDA underscores the fundamental truth that self-love and appreciation are not only crucial but profoundly worthwhile endeavors.

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CLICK HERE TO STREAM PAENDA’s Good To Myself on Spotify.
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Artist Spotlight

Loris Tils brings funk energy to life with “IKKI”

Loris

Loris Tils comes out swinging with “IKKI,” a single that comes with energy and musicianship right from the opening note. Borne on the unmistakable thump of Minneapolis Funk, the song surges forward with a groove that feels impressively designed and still wildly alive.

“IKKI” is a naughty conversation between slap bass and guitar, and the two instruments impressively craft around each other with both precision and flair, building a high-octane rhythm section that feels as tight as it is explosive.

The magic of “IKKI” is this tension, relentless discipline balanced by acrobats of daring improvisation. The energy never overwhelms the groove. Instead, it expands on it, making this song a celebration of rhythm, creativity, and instrumental chemistry.

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Artist Spotlight

Glass Mansions turn a possible goodbye into “SUNSETTING”

Glass

Glass Mansions return with “SUNSETTING,” a new single that came together during some uncertain times for the project. What began as a mini farewell to music turned out to be among the band’s most authentic and openhearted efforts yet.

The back story of the song’s creation feels almost cinematic. The day the decision was made to quit music altogether, a message came through from some big-time music executive who had heard about the band’s first Ep and wanted to collaborate. The band had agreed to share unreleased demos on request, though they hadn’t prepared any. That urgency caused a combustion of creativity that would shape the song’s trajectory.

“SUNSETTING” was written, tracked, and recorded in a home studio with scratch vocals in roughly two hours. What could have been a thrown-together demo became a surprise breakthrough. Confronted with the prospect of delivering just one last song, the writing became rather reflective, what would you say if it were your final creative curtain call.

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“SUNSETTING,” produced by Zack Odom and Kenneth Mount alongside Orb Studios’ Taylor Webb, captures the urgency of its origin story but colors it with a new reflective emotional depth. The upshot is a song that feels at once improvisational and profound, an affirmation that, sometimes, when we think we’re reaching the end of something, it’s actually only setting in motion the most powerful of new starts.

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