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Post Malone Has No Songs On The Hot 100 Chart For The First Time In Years

Getty Image The ‘Billboard’ chart usually features Post Malone on it somewhere, but not this week. …

More than most other artists today, Post Malone is a name that comes to mind when you think about chart longevity. Over the past few years, he has had a number of songs that have popped up at or near the Billboard Hot 100 chart and stayed in the general area for weeks and weeks. Earlier this year, for instance, “Circles” set the record for the most time spent in the top 10 of the chart. Now, though, for the first time in a long time, he currently has no songs on the Hot 100 at all.

Chart Data points out that Malone does not have a song on the Hot 100 for the first time since January 2017. This comes after two of his songs had massive drop-offs: On last week’s chart (dated November 7), “Circles” sat at No. 18 and Ty Dolla Sign’s Malone-featuring cut “Spicy” debuted at No. 53. Neither song appears on the chart dated November 14.

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Malone has released no singles as a lead artist this year, although he has appeared as a featured artist on some songs in 2020, including Big Sean’s “Wolves,” Justin Bieber’s “Forever,” and Ozzy Osbourne’s “It’s A Raid.”

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Ty Dolla Sign is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Artist Spotlight

“Get There Before Noon (LA Mix)” by The Afro Nick inspires a heartfelt anthem for racing the clock

The Afro Nick

Every second matters with Nick Anastasakis, recognized as the talented lead figure of his indie-rock ensemble, The Afro Nick, influenced by his formative experiences on the sun-soaked island of Crete, to create a rich thematic tapestry of intention in his latest single, “Get There Before Noon (LA Mix),” a stirring anthem for seizing life by the moment. With its roots in indie, alternative, and psychedelic rock, the track pulses with vibrant urgency, making it as much a call to action as an auditory exploration.

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The track kicks off with bold guitar riffs accompanied by intricate electronic melodies, pulling listeners into a whirlwind of sound that feels both intimate and expansive. Grammy-winning synth player Leonardo Genovese contributes a sophisticated element, skillfully integrating vibrant electronic melodies into the track’s fabric. But Nick’s raspy, soul-drenched vocals truly anchors the piece, delivering its poignant message with raw sincerity.

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This artistic synergy is born from the influence of Nick’s Crete upbringing, and his subsequent reinvention in Los Angeles unmistakably shines through in every note that hasn’t dulled his Mediterranean soul. The lyrics convey an imperative to seize the fleeting time, encouraging listeners to embrace the present with unreserved enthusiasm. The Afro-Nick’s hopeful wisdom yet gritty perspective transcends superficiality, reminding audiences that life is to be lived fully, even amid its inherent imperfections.

Get There Before Noon (LA Mix)” exemplifies The Afro Nick’s thoughtful approach to music, functioning as a heartfelt manifesto. Its layered instrumentation and passionate delivery leave audiences feeling inspired and reflective, with a lingering urge to chase your version of “noon.” This track is an ideal companion for anyone navigating life’s twists and turns, urging listeners to hit the gas and savor every mile, particularly in the context of life’s relentless progression against time constraints before it’s too late.

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For more information about The Afro Nick, please visit [website]. 
CLICK HERE TO STREAM The Afro Nick’s Get There Before Noon (LA Mix) on Spotify.
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Music

Sarah Biddick’s Emotional Call, “Save Me” Bridges Heartache and Hope

Sarah Biddick

Sarah Biddick‘s latest single, “Save Me,” explores the interplay between vulnerability and resilience, characterized by her distinct vocal timbre and emotive delivery. The track embodies a near-intimate quality, akin to personal diary entries, while simultaneously maintaining a universal appeal for listeners grappling with emotional turmoil.

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From the outset, “Save Me” envelops the audience in its melancholic timbre, featuring a fusion of ethereal melodies and poignant lyrics that effectively convey the theme of seeking solace. The production is both minimalistic and impactful. It prioritizes Biddick’s vocal delivery, which operates as the emotional fulcrum of the piece. Her vocal phrasing oscillates between urgent desperation and nuanced strength, lending each lyric a compelling gravitas.

The instrumentation develops incrementally, layering understated percussion and atmospheric synth pads that correlate with the song’s emotional trajectory. This intentional arrangement reflects the nuanced highs and lows associated with the experience of reaching out for support.

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What distinguishes “Save Me” is its raw authenticity. Biddick does not shy away from the intricacies of expressing the need for help; instead, she embraces the inherent imperfections in these moments, crafting a sonic narrative that serves as a backdrop for experiences of emotional struggle when verbal communication may fall short.

This track is an ideal companion for late-night contemplation or a powerful connection conduit during challenging times. With “Save Me,” Sarah Biddick cements her status as a vocalist and storyteller whose work resonates deeply with the human experience. Whether a newcomer or a long-time aficionado, listeners will find in this piece a testament to music’s profound capacity to heal, connect, and ultimately save us in our most vulnerable moments.

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