Music
Post Malone Has No Songs On The Hot 100 Chart For The First Time In Years
Getty Image The ‘Billboard’ chart usually features Post Malone on it somewhere, but not this week. …

More than most other artists today, Post Malone is a name that comes to mind when you think about chart longevity. Over the past few years, he has had a number of songs that have popped up at or near the Billboard Hot 100 chart and stayed in the general area for weeks and weeks. Earlier this year, for instance, “Circles” set the record for the most time spent in the top 10 of the chart. Now, though, for the first time in a long time, he currently has no songs on the Hot 100 at all.
Chart Data points out that Malone does not have a song on the Hot 100 for the first time since January 2017. This comes after two of his songs had massive drop-offs: On last week’s chart (dated November 7), “Circles” sat at No. 18 and Ty Dolla Sign’s Malone-featuring cut “Spicy” debuted at No. 53. Neither song appears on the chart dated November 14.
For the first time since January 2017, @PostMalone is not charting on the Hot 100.
— chart data (@chartdata) November 10, 2020
Malone has released no singles as a lead artist this year, although he has appeared as a featured artist on some songs in 2020, including Big Sean’s “Wolves,” Justin Bieber’s “Forever,” and Ozzy Osbourne’s “It’s A Raid.”
Ty Dolla Sign is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
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Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.
If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.
The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.
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This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.
In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.
“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.
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