Music
Post Malone Has No Songs On The Hot 100 Chart For The First Time In Years
Getty Image The ‘Billboard’ chart usually features Post Malone on it somewhere, but not this week. …

More than most other artists today, Post Malone is a name that comes to mind when you think about chart longevity. Over the past few years, he has had a number of songs that have popped up at or near the Billboard Hot 100 chart and stayed in the general area for weeks and weeks. Earlier this year, for instance, “Circles” set the record for the most time spent in the top 10 of the chart. Now, though, for the first time in a long time, he currently has no songs on the Hot 100 at all.
Chart Data points out that Malone does not have a song on the Hot 100 for the first time since January 2017. This comes after two of his songs had massive drop-offs: On last week’s chart (dated November 7), “Circles” sat at No. 18 and Ty Dolla Sign’s Malone-featuring cut “Spicy” debuted at No. 53. Neither song appears on the chart dated November 14.
For the first time since January 2017, @PostMalone is not charting on the Hot 100.
— chart data (@chartdata) November 10, 2020
Malone has released no singles as a lead artist this year, although he has appeared as a featured artist on some songs in 2020, including Big Sean’s “Wolves,” Justin Bieber’s “Forever,” and Ozzy Osbourne’s “It’s A Raid.”
Ty Dolla Sign is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
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“Subterranean Homesick Blues” finds a new direction through Ghost of Panama
Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.
This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.
“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.
Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.
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Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.
“NO MORE“ is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.
Photo Credit: Yulia Shusharina
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